The Score Magazine February 2019 issue | Page 40

KAUSTHUB RAVI & SIVANESH NATARAJAN New plug-Ins in town: Catch ‘Em All Waves factory Trackspacer 2.5 PLUG-IN SOMETIMES THE SIMPLEST IDEAS ARE THE BEST This one is a fresh iteration of an old friend that I use. This simple but effective plugin has won quite a few awards and its the closest thing to “auto-mixing” that we have right now. Anyone who has had masking issues with certain elements in a mix, for example, a guitar part and vocals, has tried a variety of methods by now. From mid-side EQ, compressing certain frequencies with a multiband compressor, to straight up carving the frequency out if the guitar. There was a technique that I personally liked to do, where I’d send a side chain signal out of saying a vocal track. Now I would add a multiband comp on the track that I want to be ducked and select the overlapping frequency. Now the multi band comp, with the side chain input from the vocal only ducks the offending frequency in the guitars. This is pretty much what Trackspacer does. But it does it with much more ease and it does it well! While I used a multi band comp, Trackspacer uses an internal 32 band EQ that listens to side chain signal from one track and applies a reversed EQ to the source that its on. The UI is super simple. It has a big knob in the middle to dial in the amount of reduction that's being applied to the source along with high cut and low cut filters. there's a small button that opens up an advanced menu with pan, Mid-side and attack/release controls. While this plugin seems like an absolute must have and must do on every mix, I would advise some caution. Sometimes masking can be musical and while the instant gratification of achieving easy separation in a mix is great, in a lot of cases it leads to a sterile and uninteresting mix. The big “mix knob” as 38 The Score Magazine highonscore.com I like to call it is quite important and the less you can use, in my experience, the better results you ultimately get. The high pass and low pass filters basically let you choose the range that the plugin ducks and it can be used for quite narrow bands. I quite prefer narrower, as I find it to be the least invasive. You can really get a kick and bass to easily separate while still leaving out the subs either one etc. Lots of possibilities when compared to straightforward side chain compression. All in all, its a great tool to have and it does make mixing quicker and easier. Go easy on it and it can make a huge difference to a mix.