The Score Magazine December 2018 issue! | Page 38

KAUSTHUB RAVI & SIVANESH NATARAJAN What do we have here? Four Plugins, that attempt to set foot outside boundaries, four Plug-ins that tell you the future not only looks good but also sounds good. OEKSOUND - SPIFF plug-in THE FUTURE NOT ONLY LOOKS GOOD BUT SOUNDS GOOD! BOZ DIGITAL LABS - PAN KNOB plug-in GOODBYE TO TRADITIONAL PAN KNOBS! One of the more underrated, lesser-known companies, Boz Digital Labs is all about straight talk. Makers of some excellent plugins including the imperial delay, The Wall Limiter etc, the code they live by - simple plugins with no- nonsense functionality. The Pan Knob does exactly what it says. It pans. The company justifies the new replace-ment to the trusty old pan pots on DAWs but saying that the traditional pan knobs don’t do justice to headphone listeners. For example, when you pan a guitar to the left the entire signal is panned and sometimes this tends to feel unnatural and doesn’t ensure the best translation. This is because sometimes the low end dominates and leaves the mix feeling lopsided. The simple but powerful plugin has very few controls- the pan knob, a crossover selection, and a mode selection. It also allows you to choose between different pan law options. The crossover is the real trick that ensures everything sounds good. It keeps the selected portion of the signal more centered than the rest that is being panned. This really helps keep the sound natural and well placed in the stereo field. It works like a charm on guitars and synth parts in a mix. The Pan Knob is a simple yet extremely effective plugin that does exactly what it says. They are especially useful for simplistic/sparse mixes which focus on specific instruments and offer better translation on headphones. Extremely cheap and affordable too. 36 The Score Magazine highonscore.com Thinking outside the box has always been Oeksound’s thing. Plugins that are more adap-tive than static which dynamically alter the signal with minimal interference from the engineer. Their first plugin (Soothe) was a dynamic EQ that worked much like a multi-band but much more intelligently. It worked only when needed, suppressing resonances that would otherwise take a lot of processing to take out. Spiff brings the same dynamic style to transient processing. Boosting and cutting transients dynamically in true oeksound style. This plugin offers powerful capabilities with its 2 modes, Boost, and cut. The cut focusses on removing stuff like hard consonants, clicks, pops, guitar pick attack noises etc. Anyone who has dealt with these things realizes how difficult it can be to without completely killing the source. But Spiff does it with an elegance that is quite impressive. The Boost mode turns the plugin into a transient enhancer. It really can tighten up anything from drum elements to the entire mix. The plugin does have a slight learning curve but for most applications, the presets work so well that we’ve not had to mess with anything more than the depth knob in most cases. Representing the next generation of plugins - Spiff is smart, dynamic and specific. Complimented by a beautiful UI, which does a great job of representing how the plugin is working in real-time. It is a bit pricey but undoubtedly worth it for professionals who are looking for some real time savers.