The Score Magazine December 2018 issue! | Page 15

What are your biggest influences of music (genres, artists) and the earliest influence in your childhood? The usually royal sounding Veena has been the first favourite of every Carnatic music lover since ages. Its magical sound, grandeur and the design enhanced the majestic features of Carnatic music and brought out the intricacies brilliantly. However, it was termed to be an extremely classical instrument until Rajhesh Vaidhya came up to the scene. He gave the instrument a wonderful versatile touch with his passionate playing of various genres ranging from the homeground Carnatic music to international genres like Jazz, Fusion, Film Songs and what not? He has earned an exclusive set of fans for his flawless way of blending different genres in his music. His energy levels in every live concert is so high that it brings an infectious ambience in the place! He learnt early veena playing from Jayalakshmi and then from Smt. Rama Nambinarayanan and later learnt from the veena legend Shri Chitti Babu as well. This masterful player also released many fusion albums and also collaborated with the brilliantly talented artist Elton John. He was rightfully awarded the prestigious Kalaimamani award in the year 2010 for his unfaltering contribution to the field of veena playing. One of the greatest aspects of Rajesh Vaidhya is the way he balances out Carnatic music performances and also collaborating with the big names in the film industry ranging from Maestro Ilaiyaraaja, A.R.Rahman, Vidyasagar and many more. His cover versions of various popular film songs gained some amazing attention in the social media as well. Rajhesh Vaidhya has undoubtedly set a standard in veena playing and also built a bridge between generations with his innovative style of playing. He is also responsible for bringing out a newfound glamour and modernity to the instrument by constantly experimenting, exploring new sound techniques- without compromising on the strong foundation of Classical music. My first influence was my dad who was a Mridangam and Ghattam vidhwan and then my father wanted me to learn from Dr. Chitti Babu sir. It was like a gurukulam with him for three years and recently I have started learning from Dr. L Shankar and all top musicians like Balamurali sir, and Michael Jackson are some of my influences. I loved listening to various genres of music and appreciate the universality which they show up. dimensions which they bring about in an instrument playing. What is your opinion on the staunchness of Carnatic musicians who believe in not tampering with the sanctity of it without inducing fusion elements? It depends on every musician on how they intend to produce the music. Every musician strives to bring the best of music to the audience but the paths they chose are different. The individual preference of each artist to bring about their perception on music should be encouraged. When did you decide that Veena was your instrument? Your recent favourite film music composer and why? I did not have a choice in this although my interests tilted towards the Mridangam. My mother insisted that Veena should be my instruments and here I am ! It’s not only recent but my all-time favourite composers are Raja sir, Rahman sir, MSV and of course my uncle. Their music is alive even now. Amongst the newer ones I like Anirudh a lot for his innovative approach towards music and fusing fresh genres into film music. Usually, instrumentalists have lot of challenges to express the lyrical beauty of a composition. What is your approach to bring the best of expression in your renditions? I feel lyrics are of prime importance to bring about the beauty of a composition for the audience. That is the reason why I give lot of value to it and try to learn the lyrics before venturing into the learning. Whether it is a keerthana, song or a devotional song, expressing through lyrics is of prime importance. What is the biggest aspect of Carnatic fusion you enjoy the most? Normally, I never differentiate between any forms of music whether it is Carnatic, Hindustani or Jazz. All types of music is the same to me because every form of music is based on sapta swaras- the seven notes! What other instruments do you enjoy listening- apart from Veena? I love listening to the Piano and Violin and cherish the different What is the song/composition which you never get tired of playing (in performances or in recordings)? The one song people are not tired of listening from me is Thendral Vanthu Theendum Pothu from the movie Avataram. The song itself has a great feel and explores various shades of emotions. The one I love to play the most is Chandrasekara in Sindhu Bhairavi ragam and this song is what I end every concert of mine with. Could you name some musicians you would love to collaborate with? There are many musicians I’d like to work with. A couple of them would be Shankar Mahadevan and also Victor Wooten for their versatile approach and fantastic range. How important do you think is Digital space for musicians to reach out to their fans? Everyone in the industry need it be it accomplished or The Score Magazine highonscore.com 13