The Score Magazine December 2017 issue! | Page 30

MALIK ARSHAQ Mixers in a A very common misconception amongst many is that a mixer is an essential part of a home studio. A mixer will only be required if you plan on recording a lot of instruments or a whole band simultaneously, or if your studio up set also functions as a jam room. If you only plan on recording yourself or not more than a couple of inputs simultaneously then a simple DAW + interface set-up would be appropriate. For example, if you're a singer-songwriter or EDM producer, it makes no sense for you spend money on 24-channel mixer. After looking at all your requirements, if you've come to conclusion that your set-up definitely does require a mixer, here are the things that you will have to consider before you make your choice. Your choice of mixers may vary based on the exact nature of the purpose that you require it for, based on whether you need a mixer purely for jamming and rehearsing purposes, or if you want a stereo mix from the master to recorded into your DAW or if you want multi-track multiple instruments simultaneously into your DAW. A basic 12 or 16 channel analog mixer should do the trick if it is to only serve the purpose of jamming, just plug in your instruments, hook up a couple of monitors to the mixer's outputs and you're good to go. If you're looking to record into your DAW, nowadays, a lot of mixers come with USB or Firewire ports to connect to your computer. With most of these mixers, you will be able to get a stereo output of your overall mix. The problem with this is that you will not be able to make changes to the individual tracks as you will only have a recording of your whole mix, i.e multi-tracking will not possible. This severely limits the Behringer XENYX X2442USB 28 The Score Magazine highonscore.com possibility of editing your mix once it's recorded. Therefore, it is absolutely necessary to have all your effects for each of the tracks patched in before recording itself and to maintain a well balanced mix as changes can't be made once it's been recorded to your DAW. In case your mixer does not have a USB or Firewire connection to hook it up to your computer, you can also route its output to your interface and then record it into your DAW. Mixers that allow multi tracking through USB or Firewire are really flexible as they enable you to record each individual input separately. This way you can edit each instrument as you please, post- recording. If you need to record a rehearsal session or live-track with your band that you might want to mix out later, you seriously should consider getting a 16 or 24 channel mixer that permits multi-tracking. Most analog mixers have pretty straight forward controls and options, a gain knob for each channel to control the amount of pre-amp gain that you'd want to supply to each input signal, phantom power supply, a high pass filter ,an EQ for each channel with three bands, highs, mids and lows, most mixers have two knobs to help you control each band, one to control the level of the frequency and the other to let you choose the exact frequency range you are cutting or boosting and a fader for each track to control the amount of each track that you're sending to your mix. A lot these mixers may have a few built-in effects like reverb or delay. Few mixers also have a compressor for each channel. Presonus StudioLi