The Score Magazine - Archive May 2015 issue! | Page 39

Shreya Bose
So, tell us about the origin of your interest in anime
soundtracks?
I began watching anime at a very young age - the first show I took
interest in was called 'Inuyasha'. The original soundtrack for this
particular show moved me, and inspired me to make similar music.
Do you have any favourite composers like Yoko Kanno
or Joe Hisaishi?
Indeed, I can pick a few favourites. I particularly like Shiro Sagisu and
Nujabes.
Komorebi's sound features simultaneity of joyful
suspension. Its the kind of thing you visualise yourself
listening to by yourself and something that stimulates
introspection. Is this a conscious aesthetic decision of
your part?
It is very visual music, and therefore has the label of a 'soundtrack'.
I'm not sure if I imagined people introspecting, but definitely seeing
themselves on a journey, of some sort. What kind... is left upto them.
Miyazaki's dream was my interpretation of the workings in the
unconscious mind.
Is there a distinct quality that draws you to Japanese
music?
I believe that the Japanese culture is one of the closest to my heart - I am
fascinated by their love of food, art, gaming and music. Sometimes I feel
like I was born in the wrong country.
As a newcomer into the scene, how welcome do you feel
your music is?
I have been working in the Delhi Music scene as a session artist for
various bands in the last 4 years. Komorebi is my first solo project, and
has been recognised as unique in its attempt at giving the audience/
critics a more melodic version of electronic music.
Is there a certain composer, artist, singer or
instrumentalist that you would most align your creativity
to?
It would be difficult to pin down just one.. but perhaps I can say I'm very
inspired by AIR, Imogen heap, and Shiro Sagisu.
Are we right to assume that every track expands upon a
larger narrative, or at least an emotional state?
That is correct. Each track reflects on a particular mental/emotional
state. As individuals we can always find common ground when music
connects deeply within - that was what I hoped to portay.
Are you eventually hoping to be heard in Japan?
Absolutely!!! I was recently featured on Frequency Asias playlist, which
featured many other artists for Japan. It was the most exciting part of
my week.
Are new tracks in the making?
I plan on two more releases for this year. A piano album in the Summer
and a collaborative one in Fall. The other new songs have already been
included in my Live set!
Do you have a message for the readers of Score?
If you haven't encountered Anime yet - you should! Start with Death
Note, and thank me later.
The
Score Magazine
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