The Score Magazine - Archive May 2015 issue! | Page 37

Shubham Goyal Vasuda Sharma Vasuda Sharma’s is one of those voices that you instantly fall in love with. But to complement that brilliant voice and texture, she has got the perfect sound and arrangement. Her orientation towards a primarily vocal driven sound is clear from the layering of multiple voices in her songs and the numerous a cappella covers she’s put up on Youtube. But equally admirable is the brilliant jazz driven instrumentation. With some heart touching piano fill ins in ‘Laagi Lagan’ and a splendid saxophone solo in ‘Jaagi Jaagi Raina’, the music strikes a chord or two. Vasuda’s sound stands at the right juncture of Hindustani classical, jazz and indie pop to be called ‘fusion’. For all the lovers of Bollywood and melodious compositions, this is music you will not be able to refrain from playing on loop. Ganesh Talkies Bringing the country’s favourite Bollywood grooves and some alternative rock/ funk inspired guitars together, Ganesh Talkies is a band one can easily get hooked to. Their EP, a collection of 5 solid songs consists of catchy, easy melodies over a groovy drum loop as in ‘Item Song’, and some alternative rock feel under a filmy accordion riff, as in ‘The Fan’. Donning themes from exaggerated Bollywood drama to the disco, Ganesh Talkies takes you back to the days when the likes of Alisha Chinai ruled the non-film music scene in India. Aman Sagar This Delhi based guitarist has recently come up with two extremely well received songs. Bringing a pop-RnB sound together with some easy and commendable vocals, Aman has done a great job of songwriting and singing as well. John Mayer fans are gonna love him for his laid back feel and infectious groove. This guy is a genius at handling his sound right, an art that much older and experienced musicians haven't yet mastered. The music is perfectly balanced- it never gets too loud on your ears and manages to keep the punch up. Check his tracks out on Soundcloud and you’ll know why Aman Sagar carries some brilliant potential for a sound that has been seldom explored in Indian Music. Neel and the Lightbulbs Neel and the Lightbulbs’ frontman Neel Adhikari sings, “These words are so plain, but youre listening to me. Its so much better than the last commercial on TV.” 915 (Quarter past nine), is a song where he battles out for his love against the mechanical world of time, newspapers and TVs. This song is just one in the many that Neel has written and produced with his band. They recently released their debut album called ‘Rewind’ where Neel talks about sex, politics and love. The light acoustic, yet mostly upbeat and catchy sound played by the lightbulbs and the witty, quirky lyrics by Neel guarantee a fun hour or two. Dualist Inquiry It's no wonder how Sahej Bakshi aka Dualist Enquiry has catapulted himself into the EDM hall of fame in such a short while. His performances are trippy, energetic and bring you on to your toes immediately. It is also a visual treat to watch him break into a periodic solo jig with his guitar. The psychedelic atmosphere is infectious and you dance until you lose your mind. If dualist enquiry is performing in and around your city, this is one act which you won’t mind paying your pockets out for. Kitchensink In a rather vivid contrast to their domestic-sounding quirky name, Kitchensink is a Delhi based Jazz band with some very interesting music to offer. Consisting of well known musicians from the Delhi music circuit and singer songwriter Smiti Malik, this is a band which puts its lyrics and music in the right place. To add sparkle to some inarguably fantastic jazz grooves, Smiti puts in words that make you think. She talks about how memories of scents and winter trees form a somewhat limiting, but a safe home and about the struggle for love and life, drowned in the oceans of one’s mind. These brilliantly carved words clearly add the one missing element to mainstream jazz. Listen to Kitchensink for good music, good lyrics and the brilliant guitar solo by Adhir from ‘Four Walled Memories’. The Score Magazine www.thescoremagazine.com 35