The Score Magazine - Archive July 2016 issue! | Page 43

GYPSY SOUND REVOLUTION In an intimate conversation over guitars and snacks, the Gypsy Sound Revolution band members enlightened us with the journey of gypsy music right from its origins in Rajasthan, to their current stand in the world music scene. Here's a brief account of what they said. Could you tell us what The Gypsy Sound Revolution is? The Gypsy Sound Revolution is basically an evolution of the sound, returning to Rajasthan where gypsy culture originated. We used to play in L.A. a lot, but when we played at Colombo we discovered a lot of Indian musicians and we decided to collaborate with them. It wasn’t just the music, but the culture and the sentiment that got to us. We blended our music right there and it worked out. So we went further in that direction, playing at Rajasthan’s International Folk Festival. When we realized that gypsy culture comes from Rajasthan, we met all the musicians and tried to listen to all the instruments and how they articulate their music. One after another, they all came in and played their music and we were blown away. But when Neru and Manju played, we knew they were the guys we were waiting for. And that was it. Usually this folk culture is a temporary interest. It’s a short collaboration. We wanted to make this last. We had some beautiful moments, blending culture and religion and music itself. It took us sometime to realize the human connection at a deeper level. It’s a work in progress and we try to make it better every day. Are there any challenges you face while trying to blend these cultures? “How you do anything, is how you do everything”. The challenge was getting everybody out of their comfort zones. You don’t know what you’re doing unless you do it. Everyone has their own repertoire and bring something unique with them. So we need to work on the human first. We ate together, lived together, and understood each other’s habits and behaviors. We put everyone under one roof and that’s how it started to work. The Gypsy Sound Revolution has been a lineage that has opened many doors for us. Here, people really get what we’re doing. This is our market because people are so open to fusion for so long. In America they had to adapt to the Rajasthani element in gypsy music. So what are your future plans? We plan to travel the world, bring a new awareness and raise people’s consciousness. You might say that’s ambitious, but why not? When words can’t go beyond a point, music comes in. That’s what makes a difference. SUNITHA SARATHY One of the musicians of the current scene, Sunitha spoke with us about her views on independent music in India and gave us an insight into what makes the industry as great as it is. Here's what she said. How was your experience at the Live Arena? It was fantastic. Awesome gear, lights sound and the best of everything under one roof. It was great that with the time frame given to them, they managed to handle sound check and the needs of each artist with professionalism. What is your take on the current independent music scene? There should be more of it. People shouldn’t shy away and only work on commercial music. I’m coming up with an album that’s old school RnB, Neo Soul music. Musicians always say that there isn’t enough good music out there, but I’d say just create it. You make the music and put it out there without worrying about who and how many buy it. Any artists from the Harman Arena that you’d like to collaborate with? Definitely Niladri Kumar, and RanjitBarot. I would love to work on a ballad with A.R. Rahman. I did work on a similar track for the movie Kisna, with which we performed in Goa around 10 years ago. India has so many brilliant musicians that I would love to work with. Do you have any music coming out soon? I have an album coming out in a few months. I’ve worked with a celebrity artist, who isn’t from India and we’ll be releasing more details soon, so that’s all I can say. Really looking forward to that. What is your message to the readers of this magazine and budding musicians? Stay on the scene. Don’t think about relevance. Do stuff that you’re comfortable with and make music that you know will inspire someone. You be the inspiration. You might get to a point where you’re disappointed with trends, but don’t lose hope, cause you are the hope. The Score Magazine www.thescoremagazine.com 41