The Score Magazine - Archive December 2016 issue! | Page 37

discrimination against women in any artistic field : bias. Add to that the fact that being a DJ requires a formidable amount of technological expertise, and we find ourselves confronting the fundamental underrepresentation of women in STEM ( Science, Technology, Engineering and Mathematics ) fields. The UNESCO Institute of Statistics released a fact sheet in 2015 that said “Gender stereotypes of male and female roles in society, especially with regard to the professional engagement of women in the field of science serves as a common obstacle to female researchers.” Now, I don’t mean to downplay the fact that things are changing. Women are, like in most things now, everywhere in EDM. They have always been making the requisite waves, but what gives them pause is having to navigate a minefield of bias, sexism, inappropriate propositioning and general distasteful behaviour. However, people like DJ Kennedy Jones are making it a point to bring this issue to the attention of fans and industry participants alike. Kennedy collaborated with female DJ Dani Deahl on a four hour Periscope discussion that took some serious shots at gender inequality. At Tomorrowworld 2015, Jones called out for greater attention to female DJs and producers, while on stage. One can assume that the same applies to the scene in India. Nonetheless, we are in no lack of women who generate electronic magic behind the console. Case in point :Ma Faiza who, when she started playing electronic music was actually booed off stage. Now, 13 years later, she is practically the mother of electronic in this country. DJ Pearl, with husband Nikhil Chinapa co-founded Submerge – India’s preeminent EDM party which showcases home-grown talent while being headlined by some of the most vivacious talent in the world. DJ Megha Kawale has been globetrotting for over a decade, playing for everything from fashion shows to palaces in Udaipur to train stations in Switzerland. Sandunes or Sanaya Ardeshir has played the legendary SXSW festival in Austin, Texas and Tanvi Rao of Sulk Station has been featured at Southbank Centre in London. In conclusion, despite their residual darkness, things are looking up for women as they decide to assume the creative mantle of DJ-and-producer, but the path is, by no means, as pristine as it should be in any world based on an easy acceptance of basic decency. Happily, the human nature allows for the most astounding changes, and in that train of optimism, you should go ahead and listen to a kickass track spun a lady who knows her way around the sound. The Score Magazine www.thescoremagazine.com 35