The Score Magazine - Archive Aug-Sept 2016 issue! | Page 10

PX-350M WHEN YOUR MUSIC MATTERS The original Privia was the answer to many pianists’ prayers: the first (and for some time the only) serious 88-key digital piano at an unprecedented price and weighing only 25 pounds. This made it a catalyst for increased competition in the under-a-grand piano market: 128-voice polyphony, graded and weighted keyboard actions, and ample supplemental sounds are pretty standard these days. What does Casio do to up the ante? For the latest Privia, the PX-350M, they plunged their resources into a piano playing experience so improved... it’s astonishing. One new feature which comes out of the box—but after a couple of uses is to be found indispensible—is the audio recording. Plug in a USB flash drive, hit a couple of buttons, and you can now record anything that goes on in the instrument as a CD-quality (16-bit/44.1kHz) WAV file. This is great for capturing fleeting songwriting ideas, documenting practice for feedback from a teacher, or turning a solo gig into a demo. Piano Sound and Feel On the Gig Compared to the previous flagship Privia (the PX-330), Casio has tripled the sample size of the main piano sound. They’ve also adjusted the key sensors such that there’s a lot more going on than what you may be used to from a digital stage piano. For one, the keys transmit high-resolution MIDI to the internal sound engine (as well as any external software that can interpret it), so instead of 127 possible velocity values, there are 16,256. We took the PX-350M out of the box and directly to a 150-seat jazz quartet gig. Going through a pair of Barbetta 41C keyboard amps, it took me a few songs to nail my sound. Most digital pianos, we now realize, are more forgiving than a well-miked acoustic grand. That’s what this Privia— with its sensitive dynamics and wide separation—sounds and plays like in a live situation. For the first few tunes, we had to concentrate on our voicings and touch. Then, it began to sound like a good recording of a live performance. A week later we played a 500-seat corporate gig through a pro sound system with a stereo direct box and wedge monitor. Again, it was like playing a miked acoustic, only now we knew how to take advantage of it. For example, y