The Score Magazine April 2020 | Page 43

Audient EVO 4: 2-IN 2-OUT USB AUDIO INTERFACE CAPTURE IDEAS ON THE GO! Audient interfaces have been around for a while now and the ID4, in particular, has been a great starter interface. Now, however, Audient has a new sub-brand called the EVO and they have 2 new interfaces called the EVO 4 and the EVO 8. Let's talk about the EVO 4. Its a cheap, tiny interface. The form factor is a black box with a dial on top that does everything with the help of a few buttons to assign different things to it. Setting it up is hassle-free, with a single USB-C cable, the EVO 4 makes for a highly portable solution and it offers 24bit/96kHz at a price that's a little cheaper than the Scarlett 2i2. STACKTUNE: WEB APPLICATION’ SECURE FILE SHARING FOR AUDIO PROFESSIONALS This is a little service I stumbled upon while looking for a better and more secure way of sharing tracks with clients and collaborators. Usually, when working with a client, you send them a mix via google drive, wetransfer or dropbox. They listen to it, its usually not level matched and not neces-sarily secure. Half the time we end up having to send low res mp3’s at varying levels and names. Stack tune is a service that changes all of this. Its an online sharing Another very interesting feature of this EVO 4 is Smartgain technology. Just select which channel you’re using, enable Smartgain mode, make some noise and the input gain will adjust itself. It is quick and lovely for gain staging. Although it takes away the learning process of making gain stag-ing errors as an amateur, it almost guarantees recordings that aren't clipped. The preamps are clean and have a decent bit of gain to them. There's a loopback function that podcasters and streamers might find extremely useful as well as it lets you get your computer audio routed through alongside your microphones. The headphone amp is surprisingly good and this is important to me so that it functions as a good piece of the portable mix setup. Just something inexpensive, light and portable so that you have some conversion solution that is better than the laptop’s inbuilt audio. It's also great as a beginner interface and for people who like to have an interface to capture ideas on the go. All of the features that are crammed into it are aimed for it to be a very easy and quick to use tool for musicians to get to making music without worrying about the barriers of technology in-between. platform that allows you to up-load mixes to send to clients. It has a host of clever features that make it an amazing service. Firstly, my favourite - you can upload a bunch of mixes including the client’s demo mix and every-thing gets played back at the same level and alignment! The site automatically matched the loud-ness of all the tracks. Next, the files are automatically labelled and named in order of upload, so all your mix versions are easily tracked. Lastly, it's secure and allows the clients to add position- wise comments to mix version and allows them to add very precise and specific feedback. This service changes the way clients interact with mix engineers and is especially great if you work re-motely. It might not be as exciting as a new compressor or a plugin but it is certainly just as useful! The Score Magazine highonscore.com 41