The Score Magazine April 2019 | Page 48

MUKESH AMARAN ALBUM ARTicle: ASHWYN WARRIER Now there are varying perspectives on this. There are musicians who take the visual identity seriously and there are those who don't. But the bottom line is that whatever art form you are working with, the inspiration always comes from some other art form. Like Photographers are inspired by music, musicians are inspired by cinema, etc.” A Photographer, Film Maker and Graphic Designer – Ashwyn Warrier is our artist of the month. Currently based out of Mumbai, Ashwyn has categorically achieved his way up to where he is and what he does. Surrounding himself with the right people, music and visual art merged to give way to some really interesting collaborations; ‘ItniJurrat?’ being one which we have absolutely loved as an album art. Channeling music into his life has proven beneficial for Ashwyn across his peaks and valleys. He’s built himself with a lot of direction and guidance through the music he listened to. With a workflow set, Ashwyn seems to tackle the job strategically. Hours of research and experimentation culminating in a result that hits the mark in terms of the concept as discussed with the musician, Piyush Kapoor of Daira in this case. With Ankit Gupta’s “Scarred Monkey” as the key element, Ashwyn brings out what Daira has to say in a visual form. A gateway to what is to be heard. “With respect to the music scene an Album Cover is just considered as something that needs to be made along with the album so that it sells. Like a visual face to the music. 46 The Score Magazine highonscore.com It wasn’t an easy gig for Ashwyn to take up and create. He says “The font was inspired by 'Sholay' and all old film posters that gave this 'earthquake-y', 'We mean serious business' feel. The monkey had to be completely 'photoshopped' to match the feeling of the background and font. This was done by the process of blending using the various tools available in photoshop. I looked up various effects and ended up creating it myself after a ton of trial and errors. Not perfect but works I suppose. The process took about three months of creation, fine-tuning, reviews, typography changes and after a final approval by the whole band we were good to go. All of my efforts to reach the final result happened on photoshop and it would be terribly boring to anyone who is ready to listen.” Ashwyn has chosen the visual element as his genre of creation like all our artists and seems to have found a niche in it that reflects the voice of another artist and not himself. His relationship with Piyush and the band gives him a much deeper emotional access to create freely, allowing him to create a piece that definitely will make people pick up the album.