The Sand Dollar Magazine Spring 2014 | Page 13

H is fingers float across the ivory keys, captivating listeners in elevators across the nation. His fingers float across the ivory keys. It’s a way of life, a passion, a talent. Billy Shields began playing piano at age five, and went on to become known worldwide. By age 12, Shields was playing in bands. By 18, he was touring the country performing six nights a week. True to the 1970’s, they were playing rock and roll by bands like Emerson, Lake and Palmer. He started playing with Dan and Frankie Toller in the early 70’s, where he got his first taste of jazz. When his rock band broke up, Shields knew it was time to get serious about music. Leaving his small town in Indiana, he moved to California to study Berkley School Jazz Theory under the famous Allen Rowe, who was downbeat soloist of the year, two years running. Gaining experience playing with top jazz artists in Los Angeles, Shields was soon signed by RSVP Record label. In 1985 he recorded his first criticallyacclaimed CD, Shieldstone. When Billy Shields Jazz Pianist Written by Rachel Kaylor his record label asked who he wanted to play on the CD, Shields had high aspirations, but fate was on his side. “Everything just kind of fell together,” said Shields. “He was the last piece of the puzzle, which was really cool.” “Three Deep hopes to impact the smooth jazz scene with a fresh sound,” said Shields. Shields asked Freddie Hubbard, famous American jazz trumpeter, Jack DeJohnette, one of the most influential jazz drummers of the 20th century, John Abercrombie, a