The Saber and Scroll Journal Volume 8, Number 2, Winter 2019 | Page 28

Rembrandt: Compliant Calvi mation idea of grace, both in his book on Rembrandt and in another he wrote on seventeenth century poetry. Perhaps he narrowed his analysis so far that he missed the real mission of Rembrandt’s art: to perfect the dramatic emotional quality of the themes he portrayed. Bibliography Baldinucci, Filippo. “Life of Rembrandt: from the Cominciamento e Progresso dell’arte d’intagliare in rame colle vita de’ più eccellenti maestri della stessa professione, 1686.” In Lives of Rembrandt, edited by Charles Ford, 35–48. London: Pallas Athene, 2007. Bangs, Jeremy D. Review of Six Subjects of Reformation Art: A Preface to Rembrandt. by William H. Halewood. Church History 53, no. 1 (March 1984): 139. Accessed April 5, 2013. http:// www.jstor.org/stable/3166033. Christensen, Carl C. Review of Six Subjects of Reformation Art: A Preface to Rembrandt. by William H. Halewood. The Journal of Religion 65, no. 2 (April 1985): 279-80. Accessed April 5, 2013. http://www.jstor.org/stable/1202218. Haak, Bob. Rembrandt: His Life, His Work, His Time. Translated by Elizabeth Willems-Treeman. New York: Harry N. Abrams, 1969. Halewood, William H. Six Subjects of Reformation Art: A Preface to Rembrandt. Toronto: University of Toronto Press, 1982. Harris, Bruce and Seena. The Com- 1