The Resource March 2014 Volume 1 Issue 003 | Page 21

es. Susie still has her children’s first rugs, and her children’s creativity continues to amaze her. “The weaver’s first rug must be kept and all others can be given away or sold.” That first rug is a reminder neither to despise the day of small beginnings nor to give up. Thus, rug weaving is akin to starting school because it takes practice, patience, time, and the will to learn. “A weaver is like a mathematician. Our elders never used a ruler. They found balance within the warp and wool. Rug weaving is an art from. It gives you artistic and intelligent thinking.” With these beliefs and respect for the art, Susie nowadays has a desire to teach others and pass on her knowledge. Even though Chinle and Raised Outline (Newlands) are her preferred rug styles, she weaves other styles for the occasional rug dress or rug skirt. One of her distinguished pieces traveled the world with her daughter, Miss Navajo Nation 2002-2003, Shaunda Tsosie. One mother even petitioned Susie to teach her daughter the art of weaving. At one time, she had two young girls as pupils. “Your learning doesn’t stop. It’s always there. It keeps you busy.” Te a c h ing the foundations of weaving has deepened the respect Susie has for this art. She is sharing a part of her self and spirit with each teaching, loom and rug. “Various aspects of weaving are considered to be alive. Your faith and respect for it will be your foun- dation of the valuable goods it will provide for you. It is your thinking, planning, life and happiness for the future.” The principle teachings Susie has taught her children are that rug weaving means, “a person will never be lonely when no one is at home.” Having respect for your loom means that “as a weaver, you should never judge someone or make remarks such as ‘They are stupid’.” Even having ill thoughts, or cussing at the room or rug can affect the mind. Life teaching, weaving carries beliefs and history with it, “Sometimes by losing a battle you find a new way to win the war.”-Donald Trump and both are important responsibilities and likened to a calling. Along these lines, Susie cherishes this gift along with the ability and opportunities to share it with others willing to learn. “I like it. Shi’ Nizhoni,” she says, “I like it very much. It’s like having arrows in the front room; it protects you. I enjoy it.” This mentality motivates the start and conclusion of every rug. “It is believed that the rug loom should be in the front room where it will keep away the power of hunger, thirst and poverty. It is said a weaver will never starve or hunger. For weavers, it is a weapon or shield from danger. A weaver should never say or think a disaster will take place.” A rug is more than an aesthetic piece for Susie because it represents life’s struggles, challenges, and accomplishments. Sharpening her techniques and styles took much practice and patience, and the fruit of her perseverance