The Perfect Gentleman Issue 1 - March 2016 | Page 6

STYLISH GENTLEMAN FASHION VS STYLE by James Marwood Coco Chanel once said that while “Fashion fades, only style remains the same”. This is true. Whilst fast fashion brands like Zara change their stocks fortnightly, the basic principles of men's style remain unchanged from their birth in the 18th and 19th centuries. By contrast, fashion is based on novelty and driving sales. Fashion salespeople do not care if *you* look good in something, or if it is in proportion to your body. Nor do ‘This season’s colours’ take account of your own tones. Rather they have a product to sell, and they’ll ram it down your throat whether you want it or not. Part of this is the difficulty of protecting clothing designs from copying. Unlike other products, clothing designs cannot be copyrighted. This makes it difficult for brands to build a unique and recognisable product. Logos, however can be. This is why we see simple t-shirts being sold for high prices, on the basis of a logo. To quote Macklemore this is “Being swindled by a business”. 6 To support this fast rotation of clothes, some major retailers have worked hard to lower the price of items. At the opposite end of the fashion market to the £90 t-shirts we find clothes so cheap as to be disposable. It seems easy to wear them a couple of times, and then donate them to a charity shop or goodwill. All very good. Perhaps not, according to Andrew Brooks, a lecturer in Development Geography at London’s Kings College. In his book Clothing Poverty he shows that only 30% of the clothing donated to such shops ends up on display. The poorer quality, fast fashion items are instead sold on to textile agents and sold for low prices in developing countries. For these countries, primarily in sub-saharan Africa, this has decimated local clothing industries. Nigeria, Ghana and Zambia are among those he describes as particularly affected. Perhaps not, according to Andrew Brooks, a lecturer in Development Geography at London’s Kings College. In his book Clothing Poverty,