The Mind Creative MAR 2014 MARCH 2014 | Page 25

The Mind the film industry would play music “by In those days, many musicians inCreative March 2014 the ear” rather than read music at recording sessions. It was quite often that music directors would bring together a band of 10 to 15 good musicians and then practice a song diligently with them so that in the recording session the music would then be played from memory. All this changed as Goan musicians (like Gonsalves) descended upon Bombay. Trained in Western styles and techniques, these amazing musicians from Goa, brought with them, new skills and new instruments. They would read and write music and their virtuosity in harmony made them invaluable assets for music directors. From within this elite group, Anthony Gonsalves was in the forefront. With him came an entirely new method of “arranging” music and he was soon being hired by the leading music directors. Gonsalves, was however much more than just a music arranger. His genius manifested in more ways than one. While other Goan musicians laid their training and focus on Western music, Anthony started focusing on Indian classical music. In later years, he went on to say “Indian classical music struck me very hard in my heart and my mind. Melodically and rhythmically it is so rich.” He soon came in contact with legendary classical musicians like Pannala Ghosh (the flautist), Pandit Ram Naryan (the sarangi wizard) and Ustad Inam Ali Khan (the tabla maestro). They would often spend evenings, jamming together and co-relating the two styles in what is today known as “fusion” music of the East and West. He immersed himself in Indian classical and Western “jugal-bandis” and at the same time produced some brilliant students from his modest apartment in Bombay; some of whom (like Pyarelal and R.D. Burman) would later be recognised as legends in the Bollywood music industry. Such was his measure of talent that he soon started writing symphonies based on Indian ragas with names like Sonatina Indiana, Concerto in Raag Sarang and Concerto for Violin and Orchestra in Todi Thaat. With the legendary Indian female vocalist Lata Mangeshkar 25