The Mind Creative JANUARY 2015 | Page 42

Aside from Gossman, one of the few who took Julia seriously as a person was German circus owner Hermann Otto. He visited Julia in Vienna and had a long conversation with her, later recording his impressions in his book Fahrend Volk (Travelling People). He wrote that Julia seemed: ‘a monster to the whole world, an abnormality put on display for money, someone who had been taught a few artistic turns, like a trained animal. [But] for the few who knew her better, she was a warm, feeling, thoughtful, spiritually very gifted being with a sensitive heart and mind… and it affected her very deeply in her heart with sadness, having to stand beside people, instead of with them, and to be shown as a freak for money, not sharing any of the everyday joys in a home filled with love.’ In the winter of 1859, the couple travelled to Moscow, where crowds flocked to their exhibition at the Circus Salomansky. That August, Julia discovered she was pregnant. The baby, which arrived in March 1860 after a difficult birth, was unusually large, covered in hair like his mother, and had the same pronounced lower facial features. Julia was said to have held him and cried. The baby lived only thirty-five hours, and Julia, who had been lacerated with forceps during the birth, survived for just a few more days after that. The official cause of death was metroperitonitis puerperalis (inflammation of the peritoneum about the uterus), but more romantic sources say she died of a broken heart. Lent admitted spectators to her deathbed, where she is supposed to have said “I die happy, because I know I have been loved for my own sake.” This fits nicely into the nineteenth century predilection for grand last words, but it seems a little too perfect to be true. By impregnating his wife, Lent’s plan to secure his investment through marriage had backfired—or so it seemed. At the hospital where Julia gave birth, Lent met a Professor Sokolov of Moscow University. Sokolov was an expert on embalming, and had recently pioneered a technique that blended mummification with 42