The Mind Creative FEBRUARY 2015 | Page 18

gave his permission for publication, but he refused payment on the grounds that, if genuine, the images should not be "soiled" by money. Interestingly, Gardner and Doyle sought a second expert opinion from the photographic company Kodak, who, after examining the photographs, stated that the photographs "showed no signs of being faked" and they concluded that "this could not be taken as conclusive evidence ... that they were authentic photographs of fairies". Kodak also declined to issue a certificate of authenticity. The prints were also examined by another photographic company, Ilford, who reported unequivocally that there was "some evidence of faking". The 1920 photographs Doyle, who was preoccupied with organising an imminent lecture tour of Australia in July 1920, sent Gardner to meet the Wright family. Frances was by then living with her parents in Scarborough, but Elsie's father told Gardner that he had been so certain the photographs were fakes that while the girls were away he searched their bedroom and the area around the stream, looking for scraps of pictures or cut-outs, but found nothing "incriminating". The second of the five photographs, showing Elsie with a winged gnome Gardner, who believed the Wright family to be honest and respectable and wanted to place the matter of the photographs' authenticity beyond doubt, returned to Cottingley at the end of July with two Kodak Cameo cameras and 24 secretly marked photographic plates. These cameras were then given to the two girls during their school summer holiday, to allow them to take more photographs of the fairies. 18