The Mind Creative DECEMBER 2014 | Página 10

1870: Jules Verne’s “Twenty Thousand Leagues Under The Sea” described subterranean worlds and travels. 1895: H.G. Wells’ “The Time Machine” introduced the concept of time travel in science fiction. 1921: Yevgeny Zamyatin’s “We” conceptualised ‘inhuman’ aspect of a controlled futuristic world. the 1926: Hugo Gernsback’s pulp magazine introduced the phrase “science fiction”! 1932: Aldous Huxley’s “Brave New World” brought in frightening visions of a dystopian world, genetic engineering and mood controlling drugs. 1949: George Orwell’s “1984” described a futuristic society where every individual is completely under the control of a “big brother” government 1950: Isaac Asimov’s “I, Robot” depicted societies where humans and robots coexist under 3 laws that came to be called Asimov’s Three Laws of Robotics. 1951: John Wyndham’s “The Day Of The Triffids” set in a post-apocalyptic world plagued with blindness and the rise of an aggressive species of plant as a consequence. 1962: J.G. Ballard’s “The Drowned World” ushered in the ‘new wave’ of science fiction focusing on ecological catastrophes in apocalyptic and post-apocalyptic worlds. 1968: Philip K. Dicks’s “Do Androids Dream Of Electric Sheep?” depicting the coexistence of humans and androids. This was also the year of the release of the movie - Arthur C. Clarke’s “2001: A Space Odyssey” 1969: Ursula K. Le Guin’s“The Left Hand Of Darkness” was a breakthrough for female writers in the genre and was groundbreaking in its examination of postulations about gender.