The Meme Textbook Part 2: The Language of the Internet | Page 18
The Meme Format
There have been a number of distinct for-
mats memes have inhabited since the begin-
ning of the internet. Each of them has been
used to exhaustion, including a number of
memes that would parody the format.
Demotivational Posters
The oldest format for memes is probably the
“Demotivational Poster.” It was inspired by
a popular format for motivational posters,
which are posters that have quotes an imag-
ery intended to inspire the viewer. The format
was usually a black background and a centered
image. Below the image was a title and subti-
tle. (Fig. 48) Early demotivational posters were
more strict in their layout, often using similar
imagery but changing the text. (Fig. 49) As
the meme progressed, the format became more
lenient, with the image often being comedic
and the title and subtitle serving as a punch-
line. (Fig. 47) Memes are not the first con-
tent to parody motivational posters. Graphic
designer James Victore created a poster with
the title “Let Go Kitty,” which parodied the
“Hang In There Kitty” posters, which were
popular in the 1980s. (Fig. 43) Although the
fig. 38
18 | Part Two: The Language of the Internet
format of Victore’s poster is parodying motiva-
tional posters, his poster is effectively a moti-
vational one because of the included copy
text encouraging the reader to be brave and
take changces, which sometimes include let-
ting go. Following the internet’s traditional
trend towards abstraction, the “Demotivational
Tunnel” was created. (Fig. 42) Instead of an
image, these memes would have further demo-
tivational captions. These were a popular com-
munication devise in forums because it was
humorous to see how deep the tunnel could
go while still being visible and the collabera-
tion between users was enjoyable and encour-
aged. This idea of nested memes has continued
through the progression of meme culture. The
demotivational poster was phased out as lolcats
and advice animals became popular. (Fig. 40-41)
fig. 37
fig. 39