THE MASS MARKET ; SUSTAINABILITY AND ETHICS EDITION 2016 1 | Page 18
Fig. 26
Fig. 25
THE MASS MARKET ; NOV 2016
According to Forbes (2016), it is said that 92% of
consumers trust influencers more than advertising
or traditional celebrities. This alone suggests that
the current demographic for the mass market feed
into influencers opinions rather than that of the retail
companies themselves. As a result of this, commonly
known retailers such as Missguided, Boohoo, New Look
and ASOS make up a percentage of 60 who now have
an ‘influencer marketing strategy’ in place whilst a further
21% of retailers plan to invest in their strategy over the
next 12 months. All of this data contributes to the fact
that customers buy their clothing based on if they see a
public figure wearing that product. Retailers now partake
in what is called ‘influencer marketing’ (Marketing
Schools, n.d.) which is the method of marketing in which
focus is placed on key individuals (or types of individual)
rather than the target market as a whole. (Tapinfluence,
n.d.) This basically means that influencer marketing is
a partnership between an influencer and retailer which
is set up to drive sales in a product. So an influencer
might post a picture of them wearing a product onto a
social media platform for their following to see, but the
influencer might not like the garment they are wearing
and are purely making the social media post stating a
false opinion about the product for money. This in turn
doesn’t really let consumers form their own opinion
about the product before they purchase it. There are
many aspects that contribute to influencer marketing,
(eg. social media, fast fashion, reality television as well
as social trends). All of this suggests that the brand
alignment and partnership between the influencer
and retailer is far from genuine and isn’t to genuinely
encourage the customer to make a decision, and that
it is only to drive sales which can be seen by some as
unethical.
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THE MASS MARKET ; NOV 2016
Garment from H&M’s
Conscious Collection, 2015
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