That idea was originally postulated by the Science Unit of Australian National Television in 1979 which included the Centre’s Science-Art theories alongside seven world famous scientists within its internationally screened series The Scientists- Profiles of Discovery. Influential Australian academics within the South Australian State Government were hostile to the idea of ancient Greek Science-Art theories being used to modify quantum mechanics and a serious confrontation developed.
With the help of the Thalian Mental Health Organization in Los Angeles the dispute was resolved by UNESCO, appointing the director of the Science-Art Centre as a Special Science-Art Delegate to the 1979 World Summit Meeting on General Relativity held at the International Centre for Theoretical Physics in Trieste, Italy. At that conference China’s most highly awarded physicist, Kun
Hung, discussed with the artist about the emotional urge to write or carve words or symbols to record the geometrical state of time being considered to be associated with first-cause principle dynamics.
Huang suggested that the living artistic urge to inscribe such symbols accounted for Platonic geometries being created by seashell life-forms inscribing them into the seashell fossil record and he considered that it would be in the opposite direction upholding Einstein’s lifeless quantum mechanistic theories. The discovery of the life-force governing seashell evolution was reprinted by the World’s largest research institute, IEEE in Washington as one of the important optical mathematical of the 20th Century.