In short, it is our position with respect to the object that establishes its value. Thus, given the infinite possibility we have for positioning ourselves - above all in a mental space -, the history of art and science becomes a fraternally infinite path.
The Renaissance, after all, was the true father of the Baroque. The illusionistic effect of figuring three dimensions in a two-dimensional space, gave rise to a series of lexical and design contortions, that, if they often turn out into the strangeness, sometimes they touched unclear truths, realisms far deeper than canonized ones -
Michelangelo Merisi da Caravaggio was an example above all -.
"Nouveau Réalisme, Tribute to Rotella and Villeglé",
Ripped poster, photos and acrylic on canvas, 2009