In theater we can have two representation-story techniques: the first takes up the concept of the Romantic ego, with which the artist-narrator takes his point of view as an absolute point of view and sets off in a process of infinite growth, which it is the substance of fascination, or more precisely, of the sublime as Immanuel Kant theorized it.
The second refers to the positivism of the apostle Thomas and reduces the infinite in the narrow limits of what we can see or touch. In Italy these two concepts are embodied by two unconventional actresses:
Elisabetta Gardini and Maria De Filippi.
MAQ Magazine n. 10 / February 2019