MAQ Magazine n. 10 / February 2019
Skrjabin, from the point of view of art as a synaesthetic experience, theorizes the color-music association, for which each note corresponds to a tone of the visual spectrum.
The canons and models of the composition are totally rejected; most of the music of this period is built on acoustic or octonic scales or on combinations of synthetic scales. (Maurizio Verducci).