subconscious spiritual and emotional perception of the viewer, awakening global symbolic images and motivating to study some general ideas about the universe.
The deliberate acuteness of compositional decisions and the denial of linear perspective are compensated by the new author's technique for the image of outer spaces “MADEFACTUM”, which visually solves the compositional depth and initiates the flickering emptiness of universal infinity.
This method of artistic thinking is fully consistent with the principles of quantum art.
And yet, there is another realistic component of the author’s influence - this is literature. The artist accurately defines the plot and theatrical part of the action, describing the nature in its emotional movement and overcoming. Each canvas has a name that carries a specific function of the dramatic action of a particular character. The author’s line of semantic analogies is interesting: from mythological plots to understanding fundamental physical discoveries in the field of the constancy of the speed of light in a vacuum. The artist builds a plot or volume that grows into a poetic metaphor for the emotional embodiment of the image and serves as the basis for unbridled coloristic improvisation within the framework of the aesthetic principles of the “laws of beauty”.
The monumental cycle of Tatyana Breslavtseva “Creation of the World” consists of 13 easel paintings, which in turn are divided into 5 semantic groups: two
MAQ Magazine n. 16 / January 2020