For the artistic nature of Tatyana Breslavtseva, a combination of analytic philosophical search and poetic trepidation of the worldview of a person in space is peculiar. Tatyana sees in herself an adherent of the perception of energetic cosmic vibrations, supported by a high moral and ethical state of the soul. For the artist, the universe appears to be twofold - material and non-material, in it matter and energy are closely interconnected. European romantic and symbolist traditions stimulated the author to manifest the philosophical essence of Being in a realistic understanding of physical processes through the abstraction of figurative thinking.
Let's try to determine the key to understanding the style of the pictorial series of the monumental cycle “Creation of the World”. At first glance, the viewer sees the pointless play of color forms, the rhythmic dynamics of structures, geometric constructions and signs, vaguely reminiscent of the hypothetical reality of incomprehensible energies, familiar to us only from the scientific hypotheses of the emergence of our solar system. It is abstract art that makes it possible to glide in the boundary space of the reality of experiences and unknowability of forms of subconscious feeling. Style appeals to irrational perception through compositional tension of coloristic fields in terms of volume and conjugation of different color masses, in tone and intensity, in rhythm and tonality.
The author models the image on the plane of the canvas as a decorative and colorful blow, turning to the