The central vertical canvas (208x75cm) is dedicated to solar energy. In the painting “The Flaming Flower of Hephaestus”, a sunbeam cuts through the dust cloud of earthquakes and portends the beneficial warmth of life's continuation for the inhabitants of the earth.
Both triptychs are expositionally located “in the midline” relative to horizontal canvases, and vertical canvases create a visual “linearity” of both height and depth.
We examined the circular exhibition of the monumental cycle "Creation of the World." The sacred sign "circle" is considered a symbol of infinity, the ideal Absolute and perfection, which closes time and space.
“Such things (a circle-symbol) cannot be invented ... they are designed to express the deepest insight of consciousness and the highest insights of the spirit, thus combining the uniqueness of today's consciousness with the centuries-old past of mankind,” - Carl Gustav Jung.
Held in January 2018, the premiere of the monumental cycle of paintings “Creation of the World” by Tatyana Breslavtseva began her exhibition life in the art of the 21st century. In this cycle, the artist, architect, philosopher Tatyana Breslavtseva made a breakthrough in philosophical and artistic understanding and creation of a visual image of the hypothesis of the emergence of the solar system. The artist’s work was accompanied by discoveries in the field of fine arts, in the interpretation of the geometry of paintings and exposition space, the presentation of the theme in a multifunctional form of canvases (polyptych), in the development of techniques of the modern fine art of Quantum art. I think that the monumental work of the artist will require many more studies, comments by art historians and cultural historians. We wish the author Tatyana Breslavtseva success in her creative search for the harmony of beauty.
MAQ Magazine n. 16 / January 2020
Art critic, academician
European Academy of Natural Sciences
(Hanover, Germany),
Honorary Doctor of Art History,
Professor Grigory Ginsburg