The Locksmith Journal Jul-Aug 2015 - Issue 39 | Page 12

12 • industrynewS PROUD SPONSORS OF THIS PAGE Zen and the Art of Lock Picking Chris Dangerfield, Director of UK Bump Keys Ltd, talks to Locksmith Journal about the mysteries of lock picking. »»“It will probably come as no surprise that one of the questions I get asked regularly is ‘how long will it take me to learn to pick locks?’ “Unfortunately, it is not just as simple as ‘how long until I can pick locks?’ or even ‘how long does it take? I wouldn’t be surprised if one day I got an email asking coldly, ‘When?’ Such is the nature of our instantly gratifying, disposable culture, where the journey is considered an obstacle and the destination everything. “Of course, we all want to open the damn thing, but it’s not the opening, that makes it all worthwhile, if opening was all there was to it, use a key.” ‘Of course, we all want to open the damn thing’ “I do my very best every day to answer the zillion emails I receive as an online lock picking vendor, but it is always this question that gets my back up. “If you ask me how long it takes to learn to pick locks - I’ll ask you, ‘how many locks? “Lock picking is an art inasmuch as it engages the lock picker with a certain pursuit of truth. There is an element of dissidence; the appeal of a protest to a conventional security policy, of what a lock is for, how it should work and how it should be used. “Lock picking encapsulates many of the themes that have inspired man to move beyond not only what is expected, but what was thought possible. Opening a lock is the same as the sum of its parts. Picking a lock is more, much more. “Why, when I have a key do I bother to pick? Why, when I have a pick gun do I bother to bump, then rake, then impression, locks? “The answer is zen-like really! Opening the lock is not my aim, I am lost in the not-opening of the lock, and somewhere within that endless paradigm I will find myself. My engagement is with the poetics of a puzzle, of a logical approach, of a mechanics against an established means. “I’m pushing pins, I’m holding the nth of a mm of shearline to work my own way around a different design. It’s like dancing up the stairs - there is an easier way to get to the top, but it won’t be remembered, the stairs will dictate me beyond myself, outside myself. By dancing up the stairs I reclaim my movement, I make a place for myself in my own space rather than be dictated by the usual flow of forms. “Lock pickers, in their dusty jeans and faded T-shirts stepout in style, minimal, delicate but brash, to the music of slipped pins and tired metals. So many pings and clicks combine in this orchestra of not-opening that as we sit at this tiny opera, hunched and frowning, we’re far from the beaten track, we’re not following a path we’re making a new one. “So how long will it take to learn to pick locks?” locksmithjournal.co.uk | jul/AUG 2015 ‘we’re far from the beaten track, we’re not following a path we’re making a new one’ Extract taken from Chris Dangerfield’s forthcoming book ‘Pure Picking’