The Humor Mill July 2014 | Page 38

By Darryl Litteton Recently comedienne / writer, Leslie Jones was attacked by the media for a skit she wrote and rendered on NBC’s Saturday Night Live which hypothetically pointed out how she’d have gotten more play during the slave era due to her large size and “Mandingo” qualities. The sketch was derided by black women all over the country for making light of what they considered a stereotypical portrayal of black female pain and should’ve never been exposed to a mainstream audience. Thus, limiting the artist’s right to create on the palate provided by her uniqueness and individuality. This is not just a problem for Leslie Jones, but for all comedians. In a recent article comedy legend Mel brooks acknowledged that political correctness is killing the art of comedy. The need to try to please the masses as opposed to stirring them up is defanging the very core of what comedy embodies. It was meant to be outrageous and to promote not only the physical sensation of laughter, but also to ignite reflection and in some cases conversation. Leslie Jones accomplished that. So what’s the problem? It seems what vexed many was not the lampooning of Oscar winner Lupita Nyong’o being named Most Beautiful Woman by People Magazine and how that is now America’s new standard of black attractiveness, but that Jones linked her own lack of fitting that mold into an uncomfortable reality that stepped on their preconceived notion of what a comedienne should say. In other words – she didn’t stay in her place. By stating that non-dainty, antimodel shaped black women nowadays would’ve been the pick of the litter in days gone by, Jones hit an estrogen filled nerve. She’d have had all the sex she could handle bumping out little Shaqs, Kobes and 38 LeBrons not only cementing her usefulness on her own plantation, but also making her a valuable asset/utility player to be loaned out to other less fortunate ones. Which raises the question - was it the specter of slavery that turned off many or was it that a woman, not a man hit onto a core truth? As a man and a comedian I had no problem with it. We all have something that makes us different from everyone else and those differences are to be embraced, not assimilated so we’re all walking goose step reciting the same old tired premises and archetypes. I for one love the fact I don’t look or sound like anybody else on the scene. I’m short, dark, have a grating, high pitched voice and an overly aggressive manner. If you have a problem with that take it up with the manufacturer. I’m simply the product. Now don’t get me wrong - the period of history Leslie longs for wouldn’t have suited a guy like me. I’d have been dark enough to be a field slave, but so short that yes, even Lupita would’ve out cotton picked me too. Chances are they’d have designated me an alternate bed-warmer; shuttling me into the big house when it was past the bedtime of the regularly assigned bed-warmers – aka the kids. Since a white man’s frigid mangy feet in my guttural region is not my idea of a desired life I pass on that fantasy. However, like Leslie I grasp the reality that my life would’ve been more advantageous had I been born in another often discussed era; the Biblical era. During those times people were short; real short. They were what – about 4’ 3”? And that was everybody. How do you think Jonah fit neatly into the mouth of a whale? You try to get into a whale’s mouth and see what happens. Samson demolished an entire army with the jawbone of an ass. When you read about it (or.