The Human Condition: The Stephen and Pamela Hootkin Collection Sept. 2014 | Page 167
Jack Earl, Grandma, 1987.
*Ann Agee, Tulip Vase, 1994,
porcelain, 42 ½ x 24 x 24 in.
*Robert Arneson, Doggie Bob,
1982, ceramic, glaze, and bronze,
36 x 21 x 33 in.
*Robert Arneson, Joint (study for
Sarcophagus), 1984, pastel and
oil stick on paper, 73 ½ x 90 in.
Robert Brady, Benicia Series #1, 1983,
ceramic and acrylic, 18 x 12 x 7 in.
Robert Brady, Eva, 1984, ceramic, engobe,
stains, and metal, 52 x 25 x 18 ½ in.
and cold wax, 35 ¼ x 18 ¼ x 33 ½ in.
*Stephen De Staebler, Standing Figure
with Quartered Torso, 1985, porcelain,
stoneware, and low-fired clay,
ceramic and stains, 12 x 19 x 7 in.
93 x 15 x 23 in.
Robert Brady, Mu, 1987, ceramic
and glaze, 82 x 16 x 23 in.
*Robert Brady, Untitled Mask, 1988,
stoneware and glaze, 33 x 9 ½ x 10 ¾ in.
Ralph Bacerra, Gold and Silver Platter,
1987, whiteware, 22 ½ in. diameter
coil- and slab-built earthenware, oil paint,
Robert Brady, Untitled (Bug), ca. 1985,
Rudy Autio, True Stories, 1986,
stoneware, 26 x 23 ½ x 18 in.
*Cynthia Consentino, Flower Girl, 2004,
*Stephen De Staebler, Winged
Woman Stepping (Artist’s Proof), 1992,
bronze 86 ¼ x 28 ½ x 28 5⁄8 in.
Roseline Delisle, Isolele Pair, 1986,
porcelain, 2 ½ x 4 3⁄8 in. diameter;
Olga Bravo, Cup and Saucer, 1984,
1 ¾ x 4 1⁄8 in. diameter
earthenware, glaze, slip, and
Ralph Bacerra, Blue and Silver Teapot,
underglaze, 11 ¾ x 12 ¼ x 2 ¾ in.
Lydia Buzio, Untitled Roofscape Vessel,
Christina Bertoni, Sephirot—Ten
Manifestations of AyinSos, 1988,
1987, earthenware and oil paint,
12 ½ x 11 ½ in. diameter
earthenware and acrylic,
6 x 21 in. diameter
*Mary Jo Bole, Granny’s Necklace,
1997–2000, mosaic, bronze,
and wood, 17 x 56 x 41 ½ in.
Nina Borgia-Aberle, Tall Vase Form,
1980–1981, earthenware and slip,
21 x 22 x 4 in.
Robert Brady, Alto Mask, 1980,
ceramic and acrylic, 13 x 12 x 5 ½ in.
Robert Brady, Pile of Heads, 1980,
ceramic and stains, 13 x 22 x 15 in.
Robert Brady, Snake Mask, 1980,
ceramic and acrylic, 14 ½ x 12 x 6 in.
Robert Brady, Untitled Mask, 1981,
ceramic, 14 ½ x 8 x 6 in.
*Robert Brady, Ancestor, 1981–1982,
ceramic and glaze, 68 x 16 x 17 in.
*Robert Brady, Untitled Mask,
1982, clay, 25 x 8 x 11 ¾ in.
Richard DeVore, Untitled Vessel (#510),
1986, stoneware and glaze, 11 ½ x 8 x 8 in.
1989, earthenware, 16 ½ x 12 x 7 5/8 in.
Lydia Buzio, Untitled Roofscape Plate,
1988, earthenware and oil paint,
15 ¾ in. diameter
Beth Cavener, Confessions and
Convictions, 2004, stoneware, porcelain
slip, and rope, 21 x 22 x 37 in.
*Beth Cavener, Milk and Honey, 2006,
stoneware, white and amber resin,
and mahogany base, 15 x 33 x 27 in.
Richard DeVore, Untitled (Double
Drop #BB), 1987, stoneware and
glaze, 9 5⁄8 x 11 ¼ x 10 ½ in.
Rick Dillingham, Round Vessel, 1987,
raku-fired earthenware and glaze,
9 x 9 ½ x 9 ½ in.
Paul Dresang, Teapot Q, 1991,
porcelain, 7 ½ x 13 x 4 in.
Jack Earl, Grandma, 1987, clay and
oil paint, 26 ½ x 11 x 10 ½ in.
Edward Eberle, One Man Cup, 1985,
porcelain, 2 ¾ x 2 ¾ in. diameter
*Beth Cavener, Humiliation by Design,
2009, stoneware, acrylic paint, steel, cast
Edward Eberle, 9–3 Root, 1987,
iron gears, and rope, 82 x 83 x 52 in.
porcelain, 5 3⁄8 x 3 x 2 ½ in.
(mechanism); 38 x 58 x 21 in. (figure)
*Beth Cavener, L’Amante, 2012, stoneware
and and acrylic paint, 45 x 60 x 44 in.
*Beth Cavener, Untitled Hoof Cups, 2012,
black porcelain, 5 x 6 x 3 in. (each)
Marek Cecula, Deconstructed Teapot,
Edward Eberle, (foreboding) a Chair,
1988, porcelain, 4 ½ x 3 ½ x 4 in.
Edward Eberle, A Man with Two Sticks
Dancing, 1988, ink on paper, 8 x 4 3⁄8 in.
Edward Eberle, Before, During, After,
1988, porcelain, 7 ½ x 3 ½ x 4 ½ in.
1990, porcelain and ceramic decals,
Edward Eberle, Joyous Figure, 1988,
11 ½ x 6 ¼ x 6 in.
ink on paper, 8 ¾ x 4 3⁄8 in.
*In the exhibition.
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