The Human Condition: The Stephen and Pamela Hootkin Collection Sept. 2014 | Page 167

Jack Earl, Grandma, 1987. *Ann Agee, Tulip Vase, 1994, porcelain, 42 ½ x 24 x 24 in. *Robert Arneson, Doggie Bob, 1982, ceramic, glaze, and bronze, 36 x 21 x 33 in. *Robert Arneson, Joint (study for Sarcophagus), 1984, pastel and oil stick on paper, 73 ½ x 90 in. Robert Brady, Benicia Series #1, 1983, ceramic and acrylic, 18 x 12 x 7 in. Robert Brady, Eva, 1984, ceramic, engobe, stains, and metal, 52 x 25 x 18 ½ in. and cold wax, 35 ¼ x 18 ¼ x 33 ½ in. *Stephen De Staebler, Standing Figure with Quartered Torso, 1985, porcelain, stoneware, and low-fired clay, ceramic and stains, 12 x 19 x 7 in. 93 x 15 x 23 in. Robert Brady, Mu, 1987, ceramic and glaze, 82 x 16 x 23 in. *Robert Brady, Untitled Mask, 1988, stoneware and glaze, 33 x 9 ½ x 10 ¾ in. Ralph Bacerra, Gold and Silver Platter, 1987, whiteware, 22 ½ in. diameter coil- and slab-built earthenware, oil paint, Robert Brady, Untitled (Bug), ca. 1985, Rudy Autio, True Stories, 1986, stoneware, 26 x 23 ½ x 18 in. *Cynthia Consentino, Flower Girl, 2004, *Stephen De Staebler, Winged Woman Stepping (Artist’s Proof), 1992, bronze 86 ¼ x 28 ½ x 28 5⁄8 in. Roseline Delisle, Isolele Pair, 1986, porcelain, 2 ½ x 4 3⁄8 in. diameter; Olga Bravo, Cup and Saucer, 1984, 1 ¾ x 4 1⁄8 in. diameter earthenware, glaze, slip, and Ralph Bacerra, Blue and Silver Teapot, underglaze, 11 ¾ x 12 ¼ x 2 ¾ in. Lydia Buzio, Untitled Roofscape Vessel, Christina Bertoni, Sephirot—Ten Manifestations of AyinSos, 1988, 1987, earthenware and oil paint, 12 ½ x 11 ½ in. diameter earthenware and acrylic, 6 x 21 in. diameter *Mary Jo Bole, Granny’s Necklace, 1997–2000, mosaic, bronze, and wood, 17 x 56 x 41 ½ in. Nina Borgia-Aberle, Tall Vase Form, 1980–1981, earthenware and slip, 21 x 22 x 4 in. Robert Brady, Alto Mask, 1980, ceramic and acrylic, 13 x 12 x 5 ½ in. Robert Brady, Pile of Heads, 1980, ceramic and stains, 13 x 22 x 15 in. Robert Brady, Snake Mask, 1980, ceramic and acrylic, 14 ½ x 12 x 6 in. Robert Brady, Untitled Mask, 1981, ceramic, 14 ½ x 8 x 6 in. *Robert Brady, Ancestor, 1981–1982, ceramic and glaze, 68 x 16 x 17 in. *Robert Brady, Untitled Mask, 1982, clay, 25 x 8 x 11 ¾ in. Richard DeVore, Untitled Vessel (#510), 1986, stoneware and glaze, 11 ½ x 8 x 8 in. 1989, earthenware, 16 ½ x 12 x 7 5/8 in. Lydia Buzio, Untitled Roofscape Plate, 1988, earthenware and oil paint, 15 ¾ in. diameter Beth Cavener, Confessions and Convictions, 2004, stoneware, porcelain slip, and rope, 21 x 22 x 37 in. *Beth Cavener, Milk and Honey, 2006, stoneware, white and amber resin, and mahogany base, 15 x 33 x 27 in. Richard DeVore, Untitled (Double Drop #BB), 1987, stoneware and glaze, 9 5⁄8 x 11 ¼ x 10 ½ in. Rick Dillingham, Round Vessel, 1987, raku-fired earthenware and glaze, 9 x 9 ½ x 9 ½ in. Paul Dresang, Teapot Q, 1991, porcelain, 7 ½ x 13 x 4 in. Jack Earl, Grandma, 1987, clay and oil paint, 26 ½ x 11 x 10 ½ in. Edward Eberle, One Man Cup, 1985, porcelain, 2 ¾ x 2 ¾ in. diameter *Beth Cavener, Humiliation by Design, 2009, stoneware, acrylic paint, steel, cast Edward Eberle, 9–3 Root, 1987, iron gears, and rope, 82 x 83 x 52 in. porcelain, 5 3⁄8 x 3 x 2 ½ in. (mechanism); 38 x 58 x 21 in. (figure) *Beth Cavener, L’Amante, 2012, stoneware and and acrylic paint, 45 x 60 x 44 in. *Beth Cavener, Untitled Hoof Cups, 2012, black porcelain, 5 x 6 x 3 in. (each) Marek Cecula, Deconstructed Teapot, Edward Eberle, (foreboding) a Chair, 1988, porcelain, 4 ½ x 3 ½ x 4 in. Edward Eberle, A Man with Two Sticks Dancing, 1988, ink on paper, 8 x 4 3⁄8 in. Edward Eberle, Before, During, After, 1988, porcelain, 7 ½ x 3 ½ x 4 ½ in. 1990, porcelain and ceramic decals, Edward Eberle, Joyous Figure, 1988, 11 ½ x 6 ¼ x 6 in. ink on paper, 8 ¾ x 4 3⁄8 in. *In the exhibition. 16 5