The Frederick County Guide Summer 2016 | Page 35

CHILD/Y O UT H A CT IV I T I E S Unscheduled, unsupervised, screen-free time for play is one of the most valuable learning opportunities we can give our children. Free play is now understood as a necessity for young children to develop social skills, but it also supports cognitive development, builds emotional maturity and is critical in the development of children’s executive functioning. This includes all types of free play: playing and exploring alone, with a sibling, and, for children 3 and older, playing with friends. Playing alone, building with blocks is great fine motor work and encourages problem solving and creativity. Playing chase teaches rule making, negotiating, turn taking and exercise. Rough and tumble play is important, too, and plenty of time outdoors in nature is extremely important. It is incredible what discoveries children make outdoors and how their pretend play is influenced by logs and piles of leaves. For young children, ages 2 to 8, pretend play—also called dramatic play—is chock full of learning value. When young children engage in dramatic play they take on and manipulate identity, and not just character identity—they play out the ideas and practices of their culture and their environment. It provides a “living through” quality. They are in the shoes of the princess, the dragon slayer, the doctor and firefighter and so on. The stories and scenarios acted out in dramatic play at school, on the playground or neighbor’s yard, or at home represent individual experience and shared knowledge. We learn about the world in different ways, from different viewpoints, and each of the ways in which we know it produces different representations, or realities’… the children become increasingly adept at seeing the same set of circumstances from multiple perspectives. When children are engaged in pretend play they imaginatively transform objects to fit the context of their play. Engaged in this kind of activity, they have the ability to hold two representations of an object in their mind at once—they can perceive a block of wood as a block and pretend sandwich at once. The child knows she can’t really eat the sandwich, she is simply engaged in symbolic thinking. Indeed, children as young as 2, through play, have the capacity to transform non-representational objects in their minds, placing meaning onto the object as something that “stands” for something else. This “double-thinking” is the same symbolmaking process necessary to read, write and understand math. Written language requires object transformation. Reading and math are symbol systems. Marks on a page stand for a letter or a word the way the block stands for the sandwich. Symbol making is a sophisticated process and dramatic play is one of the ways children practice it. In this imaginative play, they are encoding and decoding meaning— the root of pre-literacy work. Without doubt, the more opportunity children have to encode (this is just a block but I’m going to pretend that it is a sandwich) and decode (hey—she’s pretending to eat that, I guess it’s supposed to be a sandwich), the sooner they will be able to transfer this process onto a page of letters and words. Children have other opportunities for symbol making. Visual arts is all about encoding (this little stick and circle is me and the big one is mommy) and decoding (this blue part looks like a rocket ship). And children who spend time outdoors every day, observing and interacting with nature notice: dark clouds in the sky stand for “soon it’s going to rain,” and leaning trees mean “windy.” But play, indoors or out, is most rich with opp