The Fine Print Issue 4, October 2013 | Page 3

Brickbats and Bouquets BRC Dissects Bigger, Better BOSM B OSM 2013, as predicted by a previous issue of this publication, was bigger, better and Baxter than ever. The CoSSAc, in its endeavour to push for further perfection, chaired the BOSM Review Committee on the evening of Monday, the 19th of October, 2013, at the SAC amphitheatre. Here, representatives of all sports teams, clubs and departments involved in organizing BOSM gave reports and yielded to questions. While most coordinators and captains declared a successful run or 'no issues', some did bring up concerns and others were bombarded with a flurry of accusations. Firewallz, for example, said that try as it might, it was unable to completely prohibit vendors and unfriendly spectators from entering campus. Some others also commented on the 'racist, sexist, rowdy crowd' that was seen on campus. PCr received a decent amount of flak, from the tennis and swim teams among others, for failing to draw more participants to the tournament. It was also blamed for bringing in more participants than could be logistically handled, when it came to badminton. PCr fielded all these complaints rather well, either justifying their work or stating corrective measures that were already being taken. As the evening wore on, the proceedings became more colourful. The Department of Visual Media faced quite a lot of flak. PCr reported that DVM had failed to share the participants' database with it, while the CoSSAc said that the DVM coordinator had failed to be reachable on his phone during pre-fest work. The most serious issue that was brought to the fore, however, was the playing of random videos during the inauguration ceremony. The CoSSAc was very firm in its stance that DVM does not have the autonomy to play fillers of its choice when an Oasis promo is found to be faulty, especially when the Controls CoSSAcan was close at hand to offer help and troubleshooting. BOSM Controls was, again, a department that had to face a flurry of gunfire. Captains of quite a few teams complained about uneven prize-money distribution and trophies of poor quality. The swim team captains voiced extremely strong displeasure at being informed of important rules only half an hour before the valedictory ceremony. The CoSSAc, whose opinion was vehemently voiced by Joint Sports Secretary Parinitha Sadineni, pulled up Informalz for losing quite a few footballs. It emphasized on the need to handle and return borrowed inventory with great care. There were almost as many bouquets thrown as there were brickbats, one was happy to note. Rec-n-Acc was one department that received commendations on its efficient work and helping hand from more than a few other departments and clubs. A 4.2 lakh profit was declared for the fest, which has been promised to be used 'in the best interests of the student body'. Swim team captain Shruti Rijhwani complimented the CoSSAc for organizing the best BOSM we have seen in recent years and the CoSSAc immediately reciprocated by thanking the student body for all its help. A warm round of applause concluded the proceedings quite nicely. Nothing like Theatre Faculty Speak A tête-à-tête with Professor Dinesh Yadav M élange is still fresh in our minds. At least, that is what Dinesh Yadav, Professor, Department of Humanities and Languages hopes. With a nostalgic gleam in his eyes, he recalls the inception of this idea. The concept of a theatre festival germinated during February this year, nurtured by HDC and nourished by Department of Humanities and Languages. It was to be incorporated into the Golden Jubilee of this institute, but the idea didn’t get off the ground. Chances of implementation seemed bleak as the SU showed scarce interest, akin to sponsors and other departments and clubs. However, he and Dayesh Jaiswal (HDC Coordinator) refused to give up. As Dinesh Yadav knew the performers personally, he could cut the cost by almost 50%. Even then, SU stood firm on the stance that they would only help if they could collect a 1000 tickets before September. That must have stirred something in them, as they strategically collected 1000 tickets in a day. By 5th September, they had sold out. The event, he continues, catered mostly to BITSians. However, invites were sent to CEERI, BIT, BKBIET and BPS. He admits he was apprehensive about the behavior of the audience, but was pleasantly surprised by the decorum and decency maintained. When asked about giving a cold shoulder to EDC and Mime Club, he responds by saying that none of them approached him, and that was the basic criteria for motivation and enthusiasm. The commitment and dedication required to keep such an unorthodox, unconventional event alive needs to be self-inspired. On retrospection, he finds that involvement of more groups would lead to more red tape and difficulty in passage of information. There’s also more scope for mistakes. However, next semester, he plans to organize a play with HDC, EDC and Music Club to mark the Golden Jubilee of BITS Pilani. Another snag that he mentions is the rise in cost of travel and hospitality due to last-minute changes. Spontaneous additions to the theatre crew and erratic time schedules of the actors cost them around 50,000. Although Dinesh Yadav seemed quite content with the way Mélange had turned out, he had a lot to say when asked about improvements that were needed. Red tape and disinterest came up for the umpteenth time. He also seemed quite sad with the complete lack of appreciation (and audience) for the third play. He didn’t seem perturbed by the scanty attendance of professors, and stressed that students were more important. Again, the management and inspection system needed a lot more work. Many people felt that if Rajat Kapoor and Vinay Pathak had performed together, the audience might have appreciated it more. On that, he says philosophically that a play caters to the script, not the audience. According to him, the crux of the problem is the Auditorium. He rants about the bad acoustics, sound and lighting, and the huge distance between the spectators and the actors. These factors lead to the audience not feeling engaged. Apparently, boredom is a disease, more contagious than a sneeze. However, the main reason for the audience’s dissatisfaction, he muses, seems to be the monotonic fascination with comedy. He explains the difference between stand-up comedy and theatre, and the wide spectrum of emotions that need to be embraced to appreciate theatre. He asserts that to appreciate something, your feelings need to fluctuate and undulate, and it is in fact healthy to get bored for a while. He is optimistic that the audience will slowly appreciate this and will develop a taste for theatre. He leaves us with a glimpse of the variety of theatre, changing our perception of entertainment as we know it. We leave him with our best wishes and a promise to attend the festival the next time. Members of the faculty give us their thoughts on Mélange S ixty five members of the faculty attended the first ever edition of Mélange, the theatre festival of BITS Pilani. This included almost the entire Department of Humanities and Languages as well as many teachers from the other departments. We were able to meet up with a few members of the faculty to find out their views on Mélange. Champak Baran Das ” It was a truly wonderful experience. I’m not an expert on the technicality of theatre. But I really liked it . Especially for a place like Pilani where you almost never get to see something like this. Apart from a few minor faults, the overall management of the fest was excellent. I would love to see something like this again. “ Surekha Bhanot It was a very good initiative. It gave you an insight into what professional theatre really is. The first play was especially good. The way just one actor was able to capture the attention of the audience for the entire one and a half hours was simply brilliant! The second play had a very important message, but it would have been much better if the language was a little refined. The third play was just boring. I left in the first half. In the future, I would like to see plays with a good message, like gender equality and respect for women. I feel if such topics are well presented, people will definitely watch them, and hopefully learn from them as well. S.K. Choudhary ” The second play had nothing special at all. The third one was just boring. The only reason I stayed was so that the organizers would not be insulted. I am happy with the way students handled the fest. My only concern was that the third day affected the general perspective of Mélange, and put a bad impression of it in people’s minds. Needless to say, Mélange was a success, and its positive impression on the students and faculty alike will likely pave the way for Pilani to become a melting pot of theatre culture in the near future.