THE ESTATE OF GENERAL IDEA Life & Work | Page 7

General Idea Life & Work by Sarah E.K. Smith Subsequent installations were larger and more intricate, as well as open to the public, such as the in-house group show Waste Age, 1969, which featured works by Saia-Levy, Gabe, and Tims, as well as Mary Gardner. 18 Many early projects by the group were executed in ephemeral media, such as mail art, performance, photography, and film. Members of the household also took part in collaborations while creating individual projects in this period. For example, Gabe exhibited paintings and Saia-Levy exhibited photography, and Tims travelled to Vancouver to participate in an experimental performance. 19 AA Bronson stencilling the words “Air, Earth, Fire, Water” on the sidewalk in 1969, photograph by Jorge Zontal. This action was related to one of the group’s broader concerns at that time with “Air, Earth, Fire, Water,” which included a newspaper project and a work entitled Air, Earth, Fire, Water Mantra, 1969, performed at the exhibition New Alchemy, Elements, Systems, Forces, Art Gallery of Ontario, Toronto, 1969 General Idea, Air, Earth, Fire, Water, newspaper advertisement in the Toronto Daily Star (now the Toronto Star), June 8 and 11, 1970, National Gallery of Canada Library and Archives, Ottawa. For this newspaper project General Idea placed an advertisement in the personals column each day for one week In 1970 General Idea participated in their first group exhibition, Concept 70, at A Space (which was in the midst of transitioning from being Nightingale Gallery) in Toronto. The group intended to show a work called General Idea. Bronson recounted that their name emerged as a result of a miscommunication, whereby the gallery listed the artists as General Idea. “General Idea was the name of one of the first projects we presented,” he stated, “…but everyone misunderstood and thought it was the name of the group.”20 They decided to keep it. The name initially had no specific meaning, 7