The Decorative Folk Artist Issue 128 | Página 3

What is Folk Art? As an introduction to our new members, and for the edification of those who have never thought to ask, here is a short piece to explain what it is all about. (Extracted and edited from the ‘Painting Styles’ page of our web site - badfablog.blogspot.com) Decorative Painting Whatever their methods, techniques, or media, all decorative artists have a place in the British Association of Decorative and Folk Arts. Decorative and Folk Arts are diverse art forms, utilising a variety of techniques and media to decorate functional and non-functional surfaces. Contemporary decorative painting is a teachable art form because of the systematic method that is employed. It allows a high degree of success without necessary academic training or inherent drawing ability. Today in addition to the folk art styles of many countries such as Norway, Sweden, Germany, Russia, England, Mexico, contemporary decorative art includes facets of painting such as stucco, stencilling, bronzing, gold leafing, country painting, faux finishes and graining. Countries and Areas of Painting Classic French - Decor Folklorique Very delicate, following the designs and styles of tapestries with bows, trailing stems and ornate scrolls; used on ceramics and furniture. Backgrounds are sometimes crackled or marbled, with pale colours (white/cream), and gold embellishment.  Usually pale ‘old gold’ on furniture, a very ‘watercolour’ type painting; roses, tulips, bows, trailing small leaves and tendrils. ‘Tole Peinte’ – Painted tin- ware –  milk churns, smoothing irons, jugs, trunks, trays etc. Swedish Very simple pale but with delicate black outlining and scroll type leaves. Geometric banded borders.  Woodwork left pale and natural.  Swedish roses are often elongated (stroke type.) Norway – Rosemaling (rose painting) Bright vivid colours on dark Taken from Debra Kneen’s background, with shapes Folk Art of France outlined in white or black. Leaves painted solidly as scroll shapes, Roses are very stylised stroke work.   All Rosemaling is stroke-work at its finest. Norway’s mountainous terrain resulted in three types of Rosemailing : Hallingdal – Baroque style characterised by strong symmetrical designs and bold lines. Telemark - flowing and asymmetrical with intricate shading and linework. Rogaland - developed on the south west coast where traders brought oriental influences, delicate crosshatching and more realism. Netherlands - Hindeloopen Tulips, stroke roses, round petal flowers, landscapes, figures and birds.  Floral and leaf borders, scrolls and bows.  Flowers and leaves outlined in a darker colour. Rosemaling Eastern European (Ukranian/Slavic) Painting follows the same designs as the embroider found on skirts and