The Decorative Folk Artist Issue 123 | Page 3

Sharon’s notes … Mottled Backgrounds 1. Basecoat the object, usually 2 coats for good coverage. 2. Dry, and apply a light coat of extender so it looks silky not sparkly! 3. Re-apply a thin coat of the base colour into the wet extender. 4. Use extender in the brush - I like to use a large filbert brush. Apply the darker value shade colour to the desired shadow area and softly blend the two colours together where they meet to create a gradual transition from lighter to darker. Apply lighter value in the mid value areas and again blend well. No harsh lines should be seen after blending. Use a large mop brush without pressure to soften any brush strokes that are left behind. If this becomes ‘wet’ with paint and brush marks start to appear, dry off on paper towel and re-work to soften. 5. If the extender is still wet, you may continue to work on the highlight in the same manner. If the extender is drying, dry really well with a hair dryer. Start again from number 2. but be careful that the surface is not hot/warm before re applying extender. Nadeen Masters demonstrates her blended mottled background technique - see link below …oooOOOooo… The Youtube link below will take you to a demonstration by Nadeen Masters, where she shows acrylic blending using a large filbert brush, a soft mop, and extender, with a technique similar to Sharon’s, above. You will need to turn up the sound to hear her clearly. Most paint manufacturers will have an extender or retarder in their range of mediums, that are designed for use with their colours. It may be possible to use products from different manufacturers together, (i.e. Jo Sonja extender with DecoArt paint) BUT you are not guaranteed to get the results you expect. It is always best to use paint and extender/retarder from the same manufacturer and range. Find Nadeen’s video here: https://www.youtube.com/watch?v=2UNzZQRpkqc