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MODIGLIANI
TATE MODERN continued…
He lived in Montmartre and documentary films
introduce us to the Paris of the Belle Epoque
Richard Fitzwilliams
which was a major influence as were important
artistic figures such as Picasso and Brancusi,
whom he befriended. He painted numerous
portraits of his famous contemporaries, including a memorable depiction of Diego
Rivera, the radical artist. Often, their personalities are subsumed by his quirky style
but his portrait of Jean-Baptiste Alexandre with a Crucifix, is notable as it shows he
could paint a conventional likeness with considerable skill.
The major feature of this show is his nudes. Most of them are curvaceous and richly
coloured and some of them are extremely large and were considered provocative.
They are strikingly unconventional and have enormous magnetism. It is widely
considered to be Modigliani who modernised the nude.
He and his mistress, Jeanne Hébuterne, moved to the South of France and his
portraits from this period are characterised by warm, gentle colours. The most
famous is The Little Peasant which captures the rustic lifestyle in appropriately
muted colours so skilfully. They returned to Paris but sadly the confidence his Self-
Portrait from 1919 radiates is deceptive as his health was deteriorating by then.
A virtual reality show, Modigliani VR: The Ochre Atelier, recreates his final studio in
Paris. The visitor is seated and, though the headgear is uncomfortable, the 3D
experience is highly ingenious.
This is a highly imaginative tribute to the talents of this ground-breaking painter.
The Little Peasant, c.1918, Medium Oil paint on canvas
1000 x 645 mm, Tate, presented by Miss Jenny Blaker
in memory of Hugh Blaker 1941.
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