The Caribbean Writer VOLUME 30 2016 | Page 76

Message from Nur Al-Masri Sharif El Gammal-Ortiz In poems, you don’t force a rubber tire filled with gasoline around a person’s chest, and set them on fire. Much less do you give that person an ethnicity and draw attention to the fact your speaker is necklacing a Nigerian. As a doctoral candidate in Caribbean Literature you should know better. Africa is a place of origins, its peoples our ancestors. Otherwise, you come across as a racist shit— a racist, intolerant shit— and it’s in your best interests not to come off as a racist, intolerant shit because you’re studying to become a Caribbeanist and others are listening. Plus, that’s not who you are. We are one. I take you to task for the hatred of that image. You argue the voice in “Amaryllis Doing Laundry at Her Mother’s and Whistling,” the poem using the necklacing as metaphor, doesn’t carry the execution the whole way through. Emanating from you, the speaker only sets it up; the blowtorch meant to light the Nigerian ablaze never materializing. I quote: “I become pregnant with a rubber tire filled with gasoline and forced around a Nigerian’s chest. Before his ass is set on fire, I go into labor. From the needle out comes a hooked worm. It voices, Eat all foods, but stay away from pork. I unlock the Internet’s full potential and find Allah by way of Africa.” 72 TCW