The Bondsteel Bullet November 2013 | Page 3

Four reasons to visit Prizren Story and Photos by Ardian Nrecaj, Public Affairs Specialist Just an hour and a half west of Camp Bondsteel is the town of Prizren. With many different festivals throughout the year, the rich history and heritage make it the cultural capital of Kosovo. The main landmarks in Prizren are the 16th century bridge over the Lumbardh/Bistrica River and the ruins of an 11th century castle. Even though in ruins, on top of a hill with a beautiful overlook to the city, it reflects strength. “Apart from many historical sites, it is worth visiting monuments that make Prizren distinctive and combine different cultures,” said Nora Arapi, a Prizren native and architect by profession. Arapi points to four main historical objects that anybody visiting must see. 1. Sinan Pasha Mosque. Built in 1615, its architecture demonstrates compactness, gracefulness and elegance. It represents a rarity in Islamic art thanks to its position, elegance, massive properties and the graceful minaret. The enormous dome is fitted harmoniously into the square mass of the building, dominating over the surrounding part of the town. The mosque stands on a high level overlooking the main street in the historical part of Prizren. The interior of the mosque is decorated with geometrical designs, still-life and draperies while the other parts of the walls are painted in strong light colors. The mosque still preserves its original stone flooring and interior decoration as well as the podium and the carpentry works. It is one of the most attractive monuments in Prizren. 2. Gazi Mehmet Pasha Hamam (Turkish bathhouse). The Hamam of Prizren is an early Ottoman-era monument in which oriental and local traditions combine. The bath was founded in 1573. Sinan Pasha Mosque was built in 1615, it stands on a high level overlooking the main street in Prizren. It is unusual that this is a double bath, one half for men and the other one for women, separated with a special entrance for each. It has the same internal different spaces: area for undressing, warm area, and heated area with different small washing rooms. The heated area has vaults and small domes covered by lead sheets while the undressing area has domes covered by tiles. The building is constructed from rubble stones and lime. Presently, galleries of Turkish Bath of Gazi Mehmet Pasha are mainly used for figurative and photo exhibitions, literary promotion meetings, chamber music concerts, etc. 3. Church of the Holy Virgin of Ljeviska. Just west of the city center, the Mother of God Ljeviska Cathedral is one of the most important churches to have survived in the entire region, and one of the finest examples of late Byzantine architecture. The Ljeviska Church dates back to the 9th-11th centuries. The original construction was a three-aisled basilica. In 1306, it was remodeled by King Milutin of Serbia when a cross-in-square design was incorporated into the central nave of the old basilica. The Turkish Bathhouse locally known as the hamam of Prizren was built in 1573. Church of the Holy Virgin of Ljeviska dates back to 9th – 11th centuries. The church’s most famous feature is its’ decorative wall paintings, which include scenes such as the Wedding at Canaa, Healing of the Blind and Holy Mother of God with Christ the Guardian. Some of the paintings were damaged during riots in 2004 and since 2006, the Ljeviska Church is on the UNESCO world heritage list. During the Ottoman rule the church was turned into a mosque and a minaret was placed on top of the tower, but after the departure of the Ottomans in 1912 it was reversed and the minaret was removed in 1923. 4. Cathedral of Our Lady of Perpetual Help. This Roman-Catholic church is situated on the west side of the city center, about a five minute walk from Shadërvan Square. It was built around 1870-1875 in the time of Archbishop of Skopje, Dario Bucciarelli. The bell tower with the clock was added later in the 20th century. According to the roof with a cross-arched ceiling, façade [rosette and niches] and arched openings, this church belongs to a Neo-Romanesque style. The cold stone exterior of the building is a contrast to its colorful interior of marble and paintings. The portraits of Gjergj Kastrioti “Skënderbeu” [an Albanian national hero] and John Hunyadi [Hungarian commander] at the northwest side of the church are of a national significance. The church is a part of a greater ensemble composed from Neo-classical facilities built during the 20th century. THE BONDSTEEL BULLET ? Page 3