The Belly Dance Chronicles October/November/December 2015 Volume 13, Issue 4 | Page 64

reality there are a million nuances in the body alignment, movement, motion, and musculature that occur during great performances. Fluidity in dancing occurs when the dancer controls the movement. Core energy and strength are keys to controlled movement. Core energy and action engages the body, creates personal energy, stabilizes the torso, providing a solid foundation for movement; and also allows the dancer to move legs and feet smoothly, lightly, and with flowing movement. Engaging the core energy using this body alignment method allows dancers to perform intricate quick movements of the feet and legs because their bodies float separately above the leg and foot movement. Your characteristic walk and movement styling that result from your controlled movement makes you a unique performer. The personal style and energy you project onstage will uniquely affect your fellow dancers and the audience as well. Weight transfer and balance are two vital elements related to core energy impacting performance intensity and styling. You must be both light and weighty to offer a dynamic movement in performance. A simple weight change has the potential for the dancer to develop a personal style of dance. A difference in the execution of the weight transfer changes the entire look of a movement. For example, either “step down and change weight with a bent knee”, or, “step up and change weight in relevé” with a body undulation are simple weight transfer movements that look completely different. And because each weight change movement style creates a different movement characteristic - the dancer presents a unique performance look and feel to audiences. Stylistic Differences and Professional Development In regular classes, dancers may notice stylistic differences in the look of movements and steps among the students. This 64 The Belly Dance Chronicles  October 2015 observable difference is due to personalized styling and forms of moving, timing, and feeling, as dancers execute the same movement. The movement quality and presentation differs as a result of their own unique personal approaches to movement. Thus, in weekly classes as dancers drill to master techni