The Belly Dance Chronicles Apr/May/Jun 2019 Volume 17, Issue 2 | Page 14

Learning about her own cultural roots prompted Silvia to study other cultures and how they are incorporated into tribal fusion. “Studying other cultures has always been one of my favorite things to do,” she said. “I dabbled in Odissi, for starters, thanks to Moria Chappell. Human beings and the worlds and the civilizations that we create are so complex. There is nothing like traveling, and studying how other people are different from me, and seeing the world, to realize that richness [of the world and its cultures], to open my mind, to learn what is relative and what is common to all of us.” B ranching out and finding inspiration Silvia’s fascination with, and study of, cultures goes beyond her own heritage, she said, and she spends “as much time as I can” studying other cultures and their forms of dance. “Any and all chances I get my hands onto to learn as many modalities of dance, I will take,” she said. “But I will say that when I offer a class, I make sure I know more than enough to teach THAT class. “In other words, my Indian fusion is Bollywood-inspired, with a sprinkle of Baratyanayam — just the moves and the right mudras to be passed onto other dancers. No more, no less,” Silvia said. “It’s the same with the Latin/Brazilian workshops — enough knowledge of tango and samba. I make a point of making sure my students understand that those classes are fusion, and the fusion is, ‘Silvia was very inspired by this or by that.’ I do not at all say that I am a true representative of tango or samba or Indian dance in their classical forms,” she continued. “I have too deep a respect for any dance tradition, and I have seen my own people’s dance destroyed too many times, not to make that clear.” For Silvia, there is always more to learn, more cultures to explore, more inspiration to discover. But, she declared, “I would say that inspiration finds me!” Sometimes that inspiration comes in the form of other dancers. “As artists, there are a plethora of well-established stars in all styles of dance [that inspire me],” Silvia said. “Rachel Brice, Zoe Jakes, Michelle Sorenson, April Rose, Mardi Love, Sharon Kihara, Kami Liddle, Amy Sigil, Jillina), Aziza, Sadie — etc. etc. etc. Belladonna Boheme obviously played a role for me, inspiring me in dancing with swords. She still inspires me; that woman is pure magic.” Those who have inspired her as mentors and “people that I almost worship,” include Donna Mejia, Karin Jensen, Mira Betz and Artemis. And, she added, “The one and only Amaya, mother figure for the Zambra, holds a