40 AUTOMOTIVE
To achieve the effect, the bonnet is first painted in a darker colour, then sealed beneath multiple layers of clear coat before a lighter top layer is applied. The geometric Mashrabiya pattern is then engraved to a depth of just 145 – 190 microns into the uppermost surface, revealing the darker tone beneath. The result is a richly textured, three-dimensional surface that catches the light and invites exploration: a pattern intended to be discovered by both the eye and the hand.
Each of the engraved areas is meticulously hand-sanded to ensure an even, sculptural finish. By integrating the pattern within the paint itself rather than applying it on top, this method achieves an exceptional level of refinement and durability, while variations in laser velocity and intensity create subtle visual shifts as light moves across the surface. The project brought together the full expertise of the Exterior Surface Centre, with every team contributing to the development of this new craft form.
“ Laser engraving allows us to create a surface that is both technically precise and visually alive. Developing this patented process required years of experimentation by the entire team. Phantom Arabesque is the first expression of a technique that opens entirely new creative possibilities for future clients.” Tobias Sicheneder, General Manager, Exterior Surface Centre.
Phantom Arabesque is presented in a Bespoke two-tone finish, with the main body in Diamond Black and the upper surfaces in contrasting Silver. The same colour is used for the single hand-painted Short Coachline, which is elevated with a Mashrabiya motif. The exterior is further enhanced with an illuminated Pantheon Grille, set in a Dark Chrome surround and complemented by an uplit Spirit of Ecstasy figurine, as well as 22-inch part-polished alloy wheels.
INTERIOR: A STUDY IN COOL RESTRAINT
Phantom Arabesque’ s interior centrepiece is presented within the Gallery, which runs the full width of the front fascia. An intricate Bespoke marquetry artwork crafted from Blackwood and Black Bolivar wood echoes the Mashrabiya design cues, and is subtly elevated with an offset clock presented in a complementary dark colourway.
THE ART OF LUXURY ISSUE 75 2026