The Art of Luxury Issue 40 2019 | Page 57

MENS FASHION The artist also revisited the Dior logo, inscribing it on walls like calligraphy on a white page, which designer Yoon Ahn reprised as jewelry with a punk spirit. Exclusively for Dior, he also designed a leopard print, a nod to Kim Jones’s love of nature and animals, as well as to one of the founding couturier’s favorite codes – the panther print featured in Dior’s very first collection, in 1947. This reinvented signature appears on coats in innovative fabric mixes, while a tiger motif embellishes an elegant drape, a reflection of the House’s haute couture heritage. Punctuated with vests and harnesses, the new tailoring created by Kim Jones is embellished with utilitarian- inspired details, such as accessories adorned with buckles designed by Matthew Williams. Reinterpreted in a cross-body nylon version, the iconic Saddle bag also lends its curves to the pocket of a quilted backpack embroidered with the cannage motif Christian Dior favored, which recalled the chairs he used to seat guests for his shows at 30 Avenue Montaigne. Issue 40 2019 The Art of Luxury 57