The Art of Design Issue 46 2020 | Page 23

23 Sadly, that was where the beauty stopped and although the bones of the house were lovely it needed a lot of imagination and attention to make it work properly and for us. It had lots of poorly connected rooms and it was painted haphazardly throughout in magnolia and it also had a particularly unattractive orange coloured wooden floor. The light pendants were wrongly placed, alongside curtains and blinds that were utterly wrong in every way. We didn’t want to spend a fortune in updating the space so we had to be clever where we spent our money. As the house had many rooms none of which seemed to have a real purpose we started working on zoning the house for how we would be using it. The first thing I desperately needed to tackle was the wooden floor. It was stained an orange coloured varnish which had been chipped scratched and damaged over the years and I know would have cost a fortune to sand down properly and revarnish. So, we opted to go with the New England feel of the house and paint them which hugely complemented the light airy feel I was going for. We decided the smallest and darkest room at the back would become the family snug/tv room, the largest of the living rooms would become the drawing room, a playroom off the kitchen for our son and what was previously an office with separate back door access became our large boot room with bespoke carpentry as we have a dog and it was ideal for dumping boots and coats etc after long muddy dog walks.