The Art of Design Issue 22 2016 | Page 10

10 FROM DENMARK TO LONDON Three years ago we made the decision to open a space in the Pimlico design district that would combine our design practice with enough space to show the pieces that we felt represented the best of contemporary design. A place to curate and create, with stories and the history of designers and their work at the heart of what we do. When I found out that Finn Juhl’s pieces were being remade in Denmark by OneCollection I realised that I had an opportunity with our Design Store to help tell this fascinating story. The London Design Festival was a perfect piece of timing – and the idea of an exhibition began to take shape. Finn Juhl wanted from a young age to be an art historian but was pushed into architecture by his father. His work moved Clockwise: Chieftain chair designed in 1949 available in teak and walnut; sinuous lines of the Baker sofa; Baker sofa upholstered in contrast wool fabric; precise and exquisite carved details of the Chieftan chair between furniture, interior, product and industrial design, its impact felt way beyond his native Denmark from the 50s onwards. The Chieftain chair designed in 1949 is a sculptural translation of this dialogue between history, art and furniture design. When Juhl originally exhibited the chair he showed it with photographs of weapons from anthropological studies. At the same time as using new methods of production together with the values of artisan craftsmanship Juhl conflates contemporary modes of living with something more enduring – older answers to the questions of living. The Chieftain chair is one of my all-time favourite pieces of furniture and I think it is the ability to move between continents and eras that makes it a design classic for me.