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14
Mostly, translation happens on the spot, in sort of a state of trance, caused by music. Sometimes, simple things can also inspire me. For example, I took a picture of a woman shaped formation on a cave wall at Paleokastritsa, Corfu last summer. A few months later this image inspired me to paint “Observing Ego”.
What is the role of technique in your practice? In particular are there any constraints or rules that you follow when creating?
I have a step by step habit that I follow, I call it “Circle of habits”. This creative circle starts with browsing for inspirational techno music. This search period could sometimes even take for several weeks. Selected tracks are used for the creation of an hour long audio mix, which I call “Techno inspirations”. When I listen back to the audio mix at later stage, I start to paint.
It is a good sign, when I feel the vibration on the canvas, it means that the creation process can begin.
In the final stage of my creative ritual, I generate digitally altered versions of my freshly painted artworks, which I use for designing audiovisual underground techno performance.
How do you see the relationship between emotional and intellectual perception of your work? In particular, how much do you consider the immersive nature of the viewing experience?
The art that I create can be one of the most effective medium to build bridges between fine art world and the techno music culture. Underground techno music is most expressive genre among contemporary electronic music styles. Built on strong tribal roots, this genre has the ability to entertain the audience on many different levels, once understood.
Before leaving this conversation we would like to pose a question about the nature of the relationship of your art with your audience. Do you consider the issue of audience reception as being a crucial component of your decision-making process, in terms of what type of language is used in a particular context?
I don’t let the audience to influence my artistic flow. I think in our versatile world, there is always somebody out there, who embraces and totally understands any art as it is. The question is how and when you will find that person.
Thanks a lot for your time and for sharing your thoughts, Daniel. Finally, would you like to tell us readers something about your future projects? How do you see your work evolving?
I am constantly working on new projects, concepts, I don’t like the still water. One of my plan is to bring underground techno music to the art galleries where I exhibit. I could imagine this project as an audiovisual installation.
The audiovisual performance that I create can be presented as a standalone live act in clubs equipped with large displays and projectors.
I am also working on a high level design for a global underground electronic music platform for true underground music fanatics. As a part of this work I am looking for ways to address more readers for my weekly, sometimes bi-weekly edited blog. In this blog I write about everything that I think is relevant about underground techno music and culture.
More to come soon!
Visual artist links:
http://hevesidanielmarcel.com/
https://www.instagram.com/hevesi.daniel.marcel.fine.art/
https://www.facebook.com/hevesi.daniel.marcel/
https://www.saatchiart.com/hevesidanielmarcel
https://www.artslant.com/global/artists/show/475333-hevesi-daniel-marcel
https://www.riseart.com/artist/hevesi-daniel-marcel
https://hu.pinterest.com/HevesiDanielART/
https://www.houzz.se/pro/hevesidanielmarcel/hevesi-daniel-marcel-fine-art?irs=US
Underground techno audiovisual performance links:
https://vimeo.com/onemantechnoarmy
http://onemantechnoarmy.com/
http://undergroundtechnoblog.com/
https://www.facebook.com/OneManTechnoArmy/
https://soundcloud.com/one-man-techno-army
https://www.orfium.com/profile/onemantechnoarmy/