Tennessee Williams Program 34th Annual | Page 18

Saturday The biographers on this panel discuss their research, their obsessions, and the resources they use to create the end result: an intriguing, fully fleshed-out version of someone else’s life story. Panelists include Andrew Feldman, Nigel Hamilton, Robert Mann, Miki Pfeffer, and moderated Anne Boyd Rioux. Sponsored by Kathleen and Edmund Schrenk. Hotel Monteleone, Queen Anne Ballroom, $10 or Literary Discussion, Combo, or VIP Pass 11:30 AM – 12:45 PM—Literary Discussion WILLIAMS ON THE WORLD STAGE Have you ever wondered how Tennessee Williams’ plays are produced, reviewed, understood, and appreciated in Europe, South America, Asia, and Africa? Distinguished Williams scholars and directors share their experiences of seeing and directing international productions of Williams’ plays and discuss how local cultural and political contexts change or enhance audiences’ understanding of the plays, presenting interpretations we will likely never see in America. What is gained and what is lost in translation? This panel will explore how these very American, and sometimes very Southern, stories translate linguistically and artistically around the world. Panelists include Anthoullis Demosthenos, Dirk Gindt, Annette Saddik, with David Kaplan moderator. Sponsored by Dramatists Play Service. Williams Research Center, $10 or Literary Discussion, Combo, or VIP Pass 10 – 11:15 AM—Literary Discussion SPECULATIVE FICTION: WELCOME TO AN ALTERNATE REALITY How does a writer create an alternate yet recognizable world? All of these writers have created brilliant alternate versions of their imaginative adaptations of New Orleans. Alys Arden began a bestselling supernatural saga with The Casquette Girls. Bryan Camp imagines underworld denizens who move between worlds in such novels as Gather the Fortunes, part of his Crescent City Novel series. Daniel José Older brings dinosaurs to the Crescent City in his Dactyl Hill Squad series for young readers and employs magical realism in his depiction of life after the Cuban revolution and in the New York City of the future. Maurice Carlos Ruffin delineates a racialized city of the future in We Cast a Shadow. Moderated by Candice Huber. Sponsored by Backspace Bar & Kitchen. Muriel’s Jackson Square Restaurant, $10 or Literary Discussion, Combo, or VIP Pass 11:30 AM – 12:45 PM—Literary Discussion LIVES AND LETTERS What is it about certain people that fills others with a passion to follow their lives, to research them, and, eventually, carefully document them? 16 TENNESSEE WILLIAMS & NEW ORLEANS LITERARY FESTIVAL 11:30 AM – 12:45 PM—Literary Discussion POETICS OF SOCIAL ENGAGEMENT In the recently released American Poets in the 21st Century: Poetics of Social Engagement, edited by Claudia Rankine and Michael Dowdy, Michael Dowdy writes that the editors assembled the volume at “a critical juncture in the history of United States.” Dowdy goes on to say that “the range of aesthetic practices and cultural commitments in this volume demonstrates some of the ways that contemporary poets have anticipated the ‘new’ era that was consolidated in the 2016 U.S. presidential election.” This panel of four contemporary poets examines, through readings and commentary, what constitutes a “poetics of social engagement” and, more broadly, the role of the poet in our “new” era of polarization and extremely divisive politics. Poets include Darrell Bourque, Beth Ann Fennelly, Jerika Marchan, and John Warner Smith with moderator, poet and publisher Bill Lavender. Sponsored by Scovern Law Firm. Muriel’s Jackson Square Restaurant, $10 or Literary Discussion, Combo, or VIP Pass 11:30 AM – 12:45 PM—Literary Discussion WRITING FROM THE SOUTH SIDE OF LAKE PONTCHARTRAIN: NEW WORK FROM THE UNIVERSITY OF NEW ORLEANS PRESS Abram Himelstein, editor-in-chief of the University of New Orleans Press, moderates a panel of writers whose works demonstrate the range and diversity of the publisher’s new offerings. The panel features the soul-searching poetry of Marian Moore in Louisiana Midrash, the timely meditative consideration of Mackie Blanton’s poetry collected