TCR Playbills Green Day's American Idiot | Page 4

A NOTE FROM THE DIRECTOR... When 9-11 happened, I was living in Chicago having just gotten my MFA, in my 30s, pursuing an acting career as I struggled to pay my bills by temping and waiting tables. I woke up on the morning of September 11, 2001, turned on the news (like I did every morning) and stood transfixed by what I was seeing and hearing. The days that followed were silent in Chicago. No planes flying to or from O’Hare or Midway. No trains or buses running. No angry horns honking. Just quiet while the city and the country tried to piece together what was happening, what had happened, and if it would happen again. Green Day front man, Billie Joe Armstrong, went on to say that while the album’s story line is fictional, its themes are autobiographical. “I wouldn’t consider myself an angry young man anymore,” he says, “You don’t have to leave the danger behind, but what makes you grow up is confronting the danger. And that’s what this record is really about confronting that self-destructive impulse.” That’s what Green Day’s American Idiot is for. The people who were kids when 9-11 happened, for the kids who are growing up in a post 9-11 world. The music and the lyrics speak to them and for them. It considers In 2004, Green Day released the impulse to say “fuck it...why American Idiot in the United bother” and plays that impulse to States. It seemed to address how the end...just like Hair did for the the country was responding to generation before me...and Rent that tragedy, and Green Day was did for me...and Spring not impressed. Awakening did for the generation after me. Mike Dirnt, the bassist for Green Day said at the time, “The world’s For a while, I felt like maybe in a confused state. I’m pissed I’m too old to direct this show. I off, and I’m angry, and I feel like could hear myself thinking the I’m not fully represented.” same kinds of things that the