Tango y Cultura Popular ® English Edition TyCP Special | Page 29

-When I came back from Buenos Aires, I got so depressed, I couldn’t find a tango lesson I liked, so... It is not an exaggerated joy. You don’t exaggerate what you enjoy, on the contrary (always say less, never say more): -I went to three milongas this week, but I don’t usually go that much, I really don’t know how much... -I go when I can, it’s not I cannot miss any milonga, I like it but, you know, tango isn’t everything... It is a transgression: -I’m not sure if I’ll go today, I’ve been going a lot lately, I know I don’t have much to do, but I could be studying, then I feel guilty about it... -Come, guilt makes it more exciting... In this parallel world, being “responsible” with family life, work (everything else apart from Tango) is a great irresponsibility, you’re too lazy for Tango, won’t work your body, won’t make yourself conscious, won’t incorporate movements, if you don’t repeat them a thousand times without complaining, just as a Zen disciple who follows his master humbly without caring about time. Hide your butt, stand straight, head up, keep your center, your legs and ankles together, do not lift your feet, tango is danced on ground, as if digging with a shovel, hold the floor with your feet, listen to the music, don’t get ahead of your partner, breathe, don’t let your arm loose, don’t hang from your partner, relax your fingers, let your movements be feminine, give your partner time to make adornments, don’t rush, don’t squeeze her, don’t break her waist, don’t look down, head up straight, your head is also a part of your body, don’t pull your partner, shorter steps, longer steps, project, relax... We are ruined by tango, spoiled for social life, for capitalist production, for accumulation, but we are recovered for desire, for the enjoyment of the useless, for art. Like poetry, Tango is art for everyone. There’s a certain pleasure in physical dexterity, in that transformation the body undergoes as one learns to dance, this pleasure has nothing to do with capitalist pleasure of consuming objects to reach happiness; it refers to enjoy while dancing but, to get to that free pleasure, you have to work hard, it’s a skill you acquire arduously: hours on classes, hours on the dance floor. Pleasure on one’s body, but it is only accomplished with the partner’s body: Tango is the embrace. We come back, once and again in search of that bodily fullness, that satisfaction that fills us up after a good milonga evening or night. And it is something new each time: every dance is unique. 29