Sweet Lisbon 1 | Page 30

vey is straightforward: “Santini is more than just a store, a brand, or an ice cream – it is a cause. A cause that involves everyone (...) who, over the course of six decades, have contributed magnificently to making our parlor (...) a symbol of quality and dedication.” This clear mission is represented in the shop colors. Santini has served ice cream for over six decades without suffering any kind of troubles. The clear and bright colors can be seen as a symbol for Santini’s success. Santini is open for anyone at any time. Artisani’s shop design is not as well thought-out as the ones by Santini and Amorino. The predominant colors are white and brown, but nothing seems to be linked to a message that has not already been mentioned before. Similar to Santini, the white color is predominant in the parlor. This may be also a sign of clarity and openness to new customers. Nannarella’s shop design colors are white and light blue. The design evidently fits the brand’s image of “the little corner shop”. White and light blue colors invoke associ- 29 ations of innocence and immaturity. Likewise, Nannarella is not yet “grown-up”. The shop is really small, a niche phenomenon whose uniqueness attracts customers. To sum up, Amorino and Santini are the clear winners in this segment. Their shop designs clearly reflect the image they try to convey to customers. Although this can be said for Nannarella’s shop design as well, customers are still restricted in the way they consume Nannarella ice cream: They can only eat the product outside the store. Artisani fails to provide an experience to customers clearly different from the one offered by Santini. Perhaps due to its young age, Artisani was founded only seven years ago, the brand does not really succeed in differentiating its shop design from other traditional ice cream parlors.